Deliberative approach in contemporary visual discourse in Iraq

Abstract

This paper highlights the Pragmatic studies in all fields of knowledgeincluding plastic field the sudience memory in the modern ideologydepends on the cognitive and mental pragmatic approach insymbolism and conclusion to control the meanings recognized bycreativity processes and modernalize then from content to another.In the light of this strong relationship between the theses offorming modernism and what comes after it in the modern visualdiscourse in Iraq and the pragmatic phenomenon to adopt communicationwe have chosen this sample to Find some sorts of similaritiesin the plastic scence .This paper consists of four chapters . Thefirst chapter deals with the methodology of the study representedby its problem , Value and aims during the period (1950-2000) inIraq . The second chapter is concerned with the theoretical partwhich consist of the first one of which presents the major themes ofpragmatics linguistically and communicatively .The second section presents some aspects in the modern plasticdiscover in Iraq . The third chapter includes the procedures of thestudy including it sample as seven picture patterns of the modernplastic productions in Iraq in addition to dada analysis .The Fourthchapter presents the most important condusions arrived at whichare:1) The pragmatics of the modern plastic contributes to the principleof communication and closeness between the artist and the artisticwork and the audience which all produce this interference andagreement.2) The Iraq artist uses the metaphore aesthetics which reframes itsartistic sceuces a lout the content of the data a cconding to theircommunicative requirements .