جدول المحتويات

مجلة نابو

ISSN: 24114650
الجامعة: جامعة بابل
الكلية: الفنون الجميلة
اللغة: Arabic and English

This journal is Open Access

حول المجلة

مجلة فنية محكمة تصدرها كلية الفنون الجميلة - جامعة بابل .
صدر العدد الاول لها سنة 2006 .
وهي مجلة متخصصة بالمعرفة الفنية والثقافة الجمالية والحوارات المعرفية .
اماالاعداد التي تصدرها فهي سنوية حيث تصدر عدد واحد في السنة .

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معلومات الاتصال

napoomag@yahoo.com

جدول المحتويات السنة: 2015 المجلد: العدد: 11-12

Article
Aesthetic visual create the illusion in the art of painting on the ground
جمالية الايهام البصري في فن الرسم على الارض

المؤلفون: Shawqi Mustafa al-Musawi شوقي مصطفى الموسوي
الصفحات: 13-35
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الخلاصة

The current research named (Beauty of the visual illusion in the ground art) talked about the operations of the optical illusion in contemporary art mechanisms; as a modernist techniques that focused on the involvement of the recipient in the creative process. It has included four chapters, the first contains a methodological framework represented by the problem of research and its importance and the need for it, which highlighted the concept of visual illusion as a phenomenon with a tendency Post-Modernism loaded with the aesthetics of performance on technical levels and stylistic ..Also it contains objective research "to identify the applications optical illusion and aesthetics in the art of painting on the ground ". As the limits of the research was limited to the analysis of pictorial models of the art of painlng on the ground for a period of between confined (2006-2015) in Europe. While the second chapter included the theoretical framework and previous studies, which contained two topics, the first was entitled "illusion and aesthetics in thought and philosophy," which highlighted the views of thinkers and philosophers about the meaning of illusion in contemporary thought, as well as fit on the second section "representations optical illusion in art contemporary (trends and applications) ", who founded an intellectual and practical fertile ground for art European contemporary within the limits of modernist thought and beyond and ended Chapter cognitive and aesthetic indices .. The third chapter has contained the research procedures and included the research community and appointed and its tool and methodology as we

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Article
Direct impact of e-learning in the acquisition of technical concepts and retain textured art elements among Students in the Department of Art Education
أثر التعليم الإلكتروني المباشر في اكتساب المفاهيم الفنية واستبقائها بمادة عناصر الفن لدى طلبة قسم التربية الفنية

المؤلفون: Abbas Nuri al-Khudair عباس نوري خضير
الصفحات: 37-94
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الخلاصة

E-learning is a cutting-edge styles of what shows a new style of self-education . Which adjusts the learner behavior through an educational program Leads the learner step by towards the desired learning . Given that any work of art in any form of fine arts depends on the dynamic organization of the elements of art . In order to introduce skills , the importance of research in the current study were the direct impact of e-learning in the acquisition of technical concepts and retain textured art elements of the department of art education students . Fine appointed included on the first year student in the department of art education - faculty of arts university of Babylon for the academic year 2012-2013 totaling 40 students . the researcher used the search tool in the achievement test material elements of art in an objective technical configuration elements and foundation configuration alphena . Astkhaddm researcher samples t-test for independent samples and the person correlation coefficient statistical means . The search result exceeds the experimental group which studied the way that e-learning to the control group which studied the traditional way to learn the traditional concepts and retain textured art elements the reason for this is that computer use multiple electronics media and the internet has had a clear impact to attract students in tersest and attention and increased interest article study interact with .

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Article
Stylistic aesthetic diversity in Kufic script Cyrene
التنوع الأسلوبي الجمالي في الخط الكوفي القيرواني

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الخلاصة

Find study aesthetics achieved by stylistic diversity Kufic Cyrene, which showed a visual stirring attention-grabbing and enhanced connectivity. Mar search of four chapters Me be the first chapter of which systematic framework in which the study identified the following problem by asking: What stylistic diversity aesthetic line Kufi Cyrene, comes aim to answer the question of disclosure and determine the aesthetic representations in the line of Cyrene. The second chapter, which included theoretical framework has contained four sections first came from Kufic origins and evolution, while the second section has me studying diversity stylistic in Kufic script of Cyrene, while the third section represents the aesthetic dimension in Kufic script of Cyrene, while the fourth section was explaining organizational foundations in Kufic script of Cyrene, then seal chapter previous studies and discussed, as well as the theoretical framework indicators. The third chapter included research procedures, which contained the research methodology and of the analytical Balosfi (content) for models sample analysis, and then determine the study population b (51) model, which selected the ones researcher sample study to form a proportion (10%), and the selection I mean shall be of (5 ) models according to research appropriate credentials. The fourth chapter represent - :the results of the study, which was the most important A method of configuration Satari in Kufic script Cyrene .١ formations of light where dyslexia relied sequence sequentially as .(in the sample (4 configuration consisted of free style heavy overlay of four levels, .٢ where the relay opto came as a result of improperly to find a state of balance and similarities formal letters to the Quranic text, as in the sample (5). Some of the recommendations also included, as well as proposals which include a comparative study of the stylistic .diversity of aesthetic between Kufic Cyrene and Alnisabure

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Article
Balancing production and promotion of the theatrical presentation of the Iraqi
موازنة الانتاج والترويج للعرض المسرحي العراقي

المؤلفون: Riaz Shahid Ali رياض شهيد علي
الصفحات: 125-142
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الخلاصة

the theatrical production as a form of economic activity involves a cost, profit and loss account, as well as preparation of work requirement ( the material and human, administrative and technical) would need a feasibility study based on the fundamental base for evaluation, namely a suitable budget, a promotion process and marketing. So the researcher divided his research into four chapters. Chapter one discussed the(methodological framework), which included the research problem and need for it, the importance, research objectives, limits and terms definitions. Chapter two (theoretical framework) included three sections. the first discussed is the production process and the stages of the evolution of the theatrical production, The second discussed is the study of theatrical production mechanisms, the third discussed is production plan, Chapter three (research procedures) included the research community, the methodology of research, research tools and analysis of the sample. Chapter four gave the resultsAdoption of the display on the interactive between supply and receiver will make the audience part of the free him publicity, and the most important conclusions is the choice of works of art leadership elements in the production and planning and promotion must be done on the basis of experience and competence, creativity, and recommendations and proposals such as the study of innovative means of modern Declaration theater.

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Article
Aesthetic theory of Arabic calligraphy in the Islamic Art
النظرية الجمالية للخط العربي في الفن الاسلامي

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الخلاصة

The research current (Aesthetic theory of Arabic calligraphy in Islamic Art) in an attempt to study the aesthetic qualities of character calligraphy which inspired Islamic Art Bmarjayate conceptual structural and take advantage of the aesthetic character property in accordance with the relevant relationships configurations centered on structural linear work Authority ideas and content (text multiple) were employed, and forwarded from the functional specificity (blogging) to the Privacy aesthetic (decorative) envisaged by the rules of the Arabic letters and assets, as it has been associated with calligraphy texts the Qur'an, the Hadith and the stages of optimization functionally and aesthetically, which led to the diversity of Arabic fonts and the multiplicity of forms, particularly third line, which is the proficiency master calligrapher guide, which is the most beautiful and perfect in recipes letters aesthetic, Vtnoat colorful directorial bodies of his lineman to another, and the lack of study to show the aesthetic side of the lettering third line and that was the real key to understanding the properties of technical and clarifying the dimensions of aesthetic Kmenzawmat formality highlights the more intellectual and expressive aspects of the Arabic letters carried across texts (subject) and taken out body proportions aesthetic linear configurations, has directed the researcher to study in four chapters: included the first chapter / clarify the problem of the research and its importance and the need for it, as well as the goals which were represented to disclose opinions aesthetic Arabic calligraphy in the Islamic Alvkrarab and identify the aesthetic relations in the third line configurations, and the definition of the most important terms that are directly related to the title search and orientations, Chapter II / has included a presentation of the theoretical framework and previous studies, came Mtkona of three Investigation, was the first references aesthetic Arabic letters while taking second topic aesthetic views in calligraphy The third section Me aesthetic relations in formations linear, Chapter III / has included (research procedures) included research community achievements written in the third line of Iraqis for calligraphers that was completed a year configurahons (1947) to year (2012) was t

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Article
Update in the Ceramics Picasso
التحديث في خزفيات بيكاسو

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الخلاصة

Search marked type b (update in the Ceramics Picasso) characteristics of technical and aesthetic features of nature modernist ceramic to Ntegath which combine graphic arts and sculpture beside the porcelain in the production of artistic compositions, as it ensures Find four chapters, the first contained a methodological framework represented by the problem of research and its importance and the need for it and that It highlighted the ceramic compositions of the artist Pablo Picasso, with a tendency modernist aesthetics loaded with technical performance and stylistic. As well as it contains the goal of research "to identify the attributes update in the Ceramics Picasso." While limited research on the analysis of pictorial models of Picasso ceramics for the period between confined (1947-1957m) in Spain and France. While the second quarter included the theoretical framework and previous studies, which contained two topics, the first "concept of modernity and modernization", as well as fit on the second topic "update in the drawing modern European" who founded the intellectual ground for modern art in. While the third section "features update in the works of Picasso," and ended chapter indicators of cognitive and aesthetic.. The third chapter contains the procedures for search and included the research community and appointed by its tool and methodology as well as the research sample amoun

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Article
The relationship between the Islamic architectural construction and decorative ornamentation
العلاقة بين البناء العماري الاسلامي والتزيين الزخرفي

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الخلاصة

discuss the research problem starts in the light of the survey researcher structural forms in Islamic architecture and decorated with ornamental and organized in a manner unfamiliar or my followers Tqaada in Layout aggregate formation (construction and landscaping) implicitly involve aesthetic values, so it raises the researcher questioned the basis of (what is the relationship between construction Ammari Islamic decorative ornamentation.(؟ The research aims to: detect :( relationship between construction Ammari and decorative ornamentation( This is achieved through knowledge of methods of investments decorative ornamental elements of Islamic architecture. Find determined diverse decorative formations in Islamic architecture within both Iraq and Iran, the current status. Included the second quarter of framework theoretical number of detectives included the first section: perspectives of philosophical and aesthetic equivalent in Islamic architecture and decorative motif, the included second section decking decorative landmarks in Islamic Architecture The third chapter handled research procedures included; research methodology according descriptive approach, and community Find adult (46) form has been deliberate non-probability sample was selected by (6) branched samples, while touched the fourth quarter for the analysis of the samples and the results of research, including: 1 .Figure precedence Ammari decorative ornamentation on the subsequent calculation imposed on the patterned array of design options (decorative), according to the form requirements Ammari. 2 .Inclusiveness in the relationship included the largest number of decorative species and decorative construction output chromatography technical side (physical) within Amari form one. 3 .Employment of phenotypic diversity of configurations and decorative vocabulary and out chromatography works within the areal interfaces wall away from the simulation and modeling in line with the Islamic faith Alhath on decking interpretation of the meaning (Take Look at every mosque.( 4 .heterogeneity and diversity in the shapes of the Islamic Ammaria and decorate it was decided by the formality of traditional patterns and color in Islamic art has given to the building of the Islamic Al-Amari irony characteristic uniqueness and specificity of the Islamic character.

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Article
Intellectual shifts in the theatrical text Iraqi
التحولات الفكرية في النص المسرحي العراقي

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الخلاصة

Iraqi theater trip started since the last third of the nineteenth century and the history records of Christians favored the introduction of this new art to Iraq and to alert the public to him, has already authoring theatrical other races literary modern in contemporary Iraq and had its beginnings at the hands of parents Chaldean Syriac Assyrians in Mosul, where the first attempts opus theater in Iraq at the hands of the deacon Hanna Habash, who wrote us three plays called comedy (Adam and Eve, Tobia, Yusuf Hassan) where this gesture is the light of the emergence of the theater and book in Iraq because there began a real and EDTA generations of writers Iraqis they were able to reflect the real life through their writings that expressed awareness of the writer and his aspiration intellectual who provide Bzadeh of its terms of reference the impact and influenced by the reflected across shifts accompanied his career in the field of writing theater, so I Me Find marked by capturing the most prominent of these intellectual transformations in the theatrical text of Iraq. And it contains four chapters, the first chapter: the research problem that boils Balostvham follows (the intellectual shifts in the Iraqi theater text). Chapter also included the importance of research and the need for him by the fact that the search proceeds cognitive benefit readers and scholars, also featured a chapter goal of the research focused on identifying intellectual shifts in the theatrical text of Iraq, also included chapter boundaries of research, which identifies temporally period 1950-2006 and spatially in (Iraq) and objective as a study descriptive analysis of intellectual shifts in the text of the Iraqi theater. Concluding chapter select terminology and definition. Consisted Chapter II: theoretical framework and previous studies and discussed, where the inclusion of this chapter two sections, Me First Section, (intellectual transformations playwright Iraq), while Me second section (Bmarjaaat playwright Iraq) where the researcher three playwrights book Iraqis (Yusuf al-Ani, Qasim Mohammed Falah Shaker( Concluding chapter of the most important indicators that resulted from the theoretical framework and then the previous studies and discussed. Me Chapter III: The rules and regulations of search where the inclusion of the research community (fifteen text) book (Yusuf al- Ani, Qassim Mohammed, a farmer Shaker) also featured a chapter of the research sample, in terms of selection researcher signed a three texts Iraqi theater is (Ras Shalila) for Yusuf al-Ani, 1951 ( the Yamakan) to Qasim Muhammad 1976 (Paradise opens its doors late) to Falah Shaker 1995-1998. And deliberate manner and for reasons justified by the researcher, that this play texts selected inherently belong to different stages allowing the researcher detected intellectual shifts in the Iraqi theater text various stages and extended by the limits of research (1950-2006( Also included chapter (Methodology) where Akhtar researcher (descriptive method - content analysis) for suitability for Search The chapter concludes with a tool search and then the analysis of samples. And ensure that the fourth quarter results, conclusions, recommendations and proposals, and the main findings of the researcher: .١approached theatrical texts towards harmonizing the social, political and religious movement by eating various layers of the society in different topics simple language free of complexity. .٢marked by theatrical texts style vitriol that characterized proceed with the marginal and in the transfer of ideas that seemed the freedom of expression. .٣relied theatrical texts in the seventies to eat the popular tradition and the old Baghdadi tale and folk sayings through the language easy to play in the formation of the dramatic structure of the text. The research found a set of conclusions, including: .١able to play texts in the early fifties approaching from the political scene through the handling and realistic subjects were able to embody and express the Iraqi society issues. .٢style guide written in the early sixties about giving symbolic and iconographic difficult to understand through the flattening of the events and the lack of an objective analysis. The researcher would recommend: .١stay for authorship novelist and fiction and poetry and theater and support from specialists festivals. .٢adopt energies Youth promising, particularly in the field of writing and theater work on the development of these energies Bsagl her talent through academic study, which is the only refuge. The researcher proposed the following studies: .١Intellectual and Educational Implications in Husseiniya texts .٢Technical and educational characteristics in the texts of Children's Theatre Find bibliography of sources and references have been concluded, the research summary in English

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Article
Features insurgency movement in Alvluxs
ملامح التمرد في حركة الفلوكسس

المؤلفون: Abbas Said Barakat بركات عباس سعيد
الصفحات: 265 -297
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الخلاصة

This designated research has addressed the ( features of the rebellion of the Fluxus movement) nature of the concept of the rebellion and the mechanisms of its effects in the movement of the after-modernessFluxus. The research problem is represented by the following question : How did the concept of the rebellion and absurdity emerge? The research has encompassed four chapters. The first chapter has considered the methodological framework of the research,embracing the research problem , its importance , the need for it , the objective of it ; which was summarized in ( exploring the features of the rebellion of the Fluxus movement ). It also included identifying the limitations of research and definitions used in the research. The second chapter , constituting the theoretical framework , has included two topics : 1. The first topic : the rebellion in the philosophical conception. 2. The second topic : the absurdity of rebellion in the Fluxus movement. This chapter has also included the indications of the theoretical framework of the research. The third chapter has covered the procedures of research , the frame of the research population , the research sample , the tool and credibility of the research , the research methodology , and the sample analysis. The fourth chapter has implied the results , recommendations , and suggestions which the researcher has concluded. The researcher has reached to some results which may have answered the goal of the research , such as : · The concept of rebellion in the fluxuswas connected to the imagination of the artist and its synthesizing capability which is recognized by the weirdness of the visual view , relying on the technological effects ( the electronic worlds) as a consumption system composed of ready objects ( vanishing ). · The body is part of a modern culture , promotional theme , and consumption purpose that gained importance among the Fluxus artists through utilizing the human body in their artistic production which seeks liberation from all physical and mentalsuppressions. Consequently , it urges to create the total chaos ,guided incitement, and the desultory oriented action which contradicts the art movements and its noble value. This chapter has also contained some conclusions , some of which are : · Both the rebel and absurd conceptions are connected to the logic of nihilism and disassembling through blasting the center and margining the human being which has become submitted to the dominant repression manners , the suppression , violence , brutality , horror , and death. · The supremacy of obscenity and the deterioration of the moral deterrent is deemed inevitable result of the verification of the fluxusartsits on the lusts and sexual desires and relevant consumption culture. The fourth chapter has also included recommendations , suggestions , references , and annexes and an executive summary in English language

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Article
Technical training in murals Saudi ceramists Arrows
التكوين الفني في جداريات الخزافة سهام السعودي

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الخلاصة

The research current technical sehaam Saudi Mural ceramists and arrows of this study focused on the nature of the technical sehaam in Saudi Mural ceramists arrows. Find and contained four chapters, the first chapter concerned with the Method framework for research and which represents the problem of research, which dealt highlight the technical sehaam in Saudi Mural ceramists Arrows, also contained a chapter on the aim of the research: to know the technical configuration in Saudi Mural ceramists. The boundaries of research, this study was limited to business ceramic mural for Potter Arrows Saudi characterized by technical characteristics for the dura敥on of the technical (1970-1987). The second quarter included the theoretical framework and previous studies and the most important indicators resulting from the theoretical framework, where he addressed the first technical configuration in the Fine Arts section and About Saudi ceramists Arrows The second section guarantees the Iraqi contemporary porcelain, while the third quarter included research procedures which contained community, Method, and research tool, and analysis of research samples of .uahtoy Chapter IV on the research and its findings and recommendations and proposals results and the researcher to a number of findings, including: 1. Saudi ceramists Arrows relied on self in the formulation of the technical forma敥ons as models in the sample (1.2, 3, 4.5). The Saudi ceramists Arrows configurations derived from ancient civilizations, especially the Mesopotamian civilization and Islamic civiliza敥on as models in the sample (1.2, 4, 5). Find and presented a set of conclusions including: 1. The Saudi Investment ceramists arrows of the items of ancient civilizations, especially the civilization of Mesopotamia is only a reformulation of those technical vocabulary in a manner to keep pace with contemporary stylistic developments. The Saudi ceramists Arrows configurations reflect the natural environment through architectural themes and subjects of a religious nature The fourth quarter also included, the recommendations of the researcher and his proposals as well as a male researcher to proven sources and abstract in English

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Article
Dialectic diagnosis and abstraction on the surfaces of ancient pottery Iraq
جدلية التشخيص والتجريد على سطوح فخاريات العراق القديم

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الخلاصة

Come the adjectives diagnosis and abstraction as one of the most important advertising spots means in the artwork and are dependent on the method of execution in the formulation of various works of art and since the emergence of the first signs of art including pottery art which has been used in multiple purposes, including the liturgical and devotional aspects which reflected clearly on the surfaces of pottery, which included forms anthropomorphism and animal and plant engineering even been implemented methods and different formulations, including the diagnosis and abstraction. Without a doubt we can ascertain that the old man gave us a number of works of pottery and these can Nkhaddaha for study and research because it is fraught with implications. Me first chapter methodological framework, which dealt with the problem of research and its importance and the need for him and his goal as well as the spatial and temporal boundaries and objectivity expired identification and definition of terms (dialectical - Diagnosis – abstraction). While the second quarter included the theoretical framework and previous studies which consisted of two sections: the first (concept of diagnosis and abstraction in the Fine Arts (and the second 0 diagnosis and abstraction in the old Iraq Arts) down to the indicators and previous studies. While Me Chapter III measures search of the research community and appointed by the (5 ) models and approach down to the analysis. The fourth quarter has included a number of the most important results: .١From the technical characteristics of the forms that there is a dialectical transitions on the level of formal structures in subjects varied between Adamic, animal and plant and geometric shapes. .٢the effect of religious belief and a clear vision of the artist to carry out its work and signed on the surface potter to represent various forms appears. As well as some of the most important conclusions: .١The simplification of forms that took the highest in the ancient arts property due to the fact that the artist adopted the following premises: Shall be diagnostic and abstract shapes based on simplistic and convert existing shapes and shorthand form realistic dimensions and sizes and the mass to just deny him the status of live form of realism. )B) The dialectic diagnosis or stripping forms reflecting the genius of the ancient artist and his creativity and the work of his imagination, and this marked the ancient surfaces clay (which invented the artist from nature a technique to play it (abstraction) character depends on the analysis and synthesis and Naturalization with his ability to make the forms retain the realism. Down to some Almguetrhatahmha: (themes carried on the surfaces of ancient pottery Iraq connotations Avatar) and ending with the sources and supplements.

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Article
Educational and technical preparation actor when director Badri Hassoun Fred
الاعداد التربوي والفني للممثل عند المخرج بدري حسون فريد

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الخلاصة

The educational and Artistic preparation of the actor is considered one of the essential factors that makes the actor and the dramatic work a success. This is because through this preparation, the artist is able to achieve his work properly transforming the text into a body language and creating pleasure and usefulness for the audience. The research consists of four chapters; the first contains the problem which is represented by the following enquiry: What is the technique used by Badri Hassoon Fareed for the educational and artistic preparation of the actor? The chapter also contains the importance which lies in the fact that the research sheds light on a pioneer who is (Badri Hassoon Fareed) and his art career; besides, the approaches used by the director to guide the actor whether artistically or educationally. The research is needed by those working in the dramatic field. The aim of the research is to identify the artistic and educational training technique which Badri Hassoon Fareed used for the actor. The limits involve the starting period of Badri Hassoon Fareed as a director up to the present time. The chapter ends with identifying the terms which the main title involves. The second chapter, the theoretical framework, contains two sections, the first is the director's technique with the actor internationally and nationally whereas the second contains the artistic and educational sources of the director, Badri Hassoon Fareed. The third chapter involves the community of the research which the researcher has not been able to specify for many reasons mentioned in the text of the research. The sample contains eight plays chosen randomly. The researcher has adopted the answers of the open questionnaire as a tool of the research. He has also adopted the analytic descriptive method to analyze the samples. Chapter four, including the five axes of which came Search results: · he performed the role of director Alautwaqrat so is not allowed to intervene in the output process. · it is developing the output text (script) are drawn and accurately in advance. Then the researchers to reach a number of conclusions, including: · Professional as a director was dealing with professional actors. · had a ready-made alternative solutions in order to exercise the process does not stop. The researchers came out with some recommendations and made some proposals, namely: · intellectual and artistic connotations in director Offers (Badri Hassoun Fareed). · educational values in the director offers (Badri Hassoun Fareed). Find and concludes with a list of sources and supplements and the abstract in English

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