جدول المحتويات

مجلة نابو

ISSN: 24114650
الجامعة: جامعة بابل
الكلية: الفنون الجميلة
اللغة: Arabic and English

This journal is Open Access

حول المجلة

مجلة فنية محكمة تصدرها كلية الفنون الجميلة - جامعة بابل .
صدر العدد الاول لها سنة 2006 .
وهي مجلة متخصصة بالمعرفة الفنية والثقافة الجمالية والحوارات المعرفية .
اماالاعداد التي تصدرها فهي سنوية حيث تصدر عدد واحد في السنة .

Loading...
معلومات الاتصال

napoomag@yahoo.com

جدول المحتويات السنة: 2016 المجلد: العدد: 13

Article
البنية المكانية في الفن الإسلامي
Spatial structure in Islamic art

Loading...
Loading...
الخلاصة

The present study addressed the issue of the spatial structure of Islamic Art, which formed a cognitive phenomenon very art require that produces perhaps the image material is, and contain the level of Michi, depth, and sometimes pictures be imagined; Valtsoar gives us a sense of emptiness and Aihama so void - an invisible vacuum, and this sense of imagined It gives us a vision of where I am. The place a comprehensive system of signs is transmitted through physical blades Daulah through a set Brown, is not permissible to rely engineering level and considering the place is just a selected area and pose a relational format Madepen thing and its surroundings, or Oketlhomahatha vacuum. The current research aimed to spatial structure in Islamic art disclosure has included research on the three chapters: the first chapter addressing the problem of research and the importance of research and the need for him and the limits of research and determine the terminology, Kalpnah, location, and structure of spatial .. The second chapter: Vtm Review Investigation theoretical framework for search as follows: first topic: the existential need of the place and the second topic: the aesthetic representation of a place in Islamic Art and the third section: spatial structures. The third chapter: (research procedures) have been dealt with community research and modeling research sample selected and the (four models) purposely selective, and then the sample. As Chapter IV models analysis: it has been a review of the most important findings of the research, including: • spatial structure of Islamic Art withstand Ta Ava Nskie, or a private system, through the synergy problem elements Mnmnh (models 3 and 4) and that any shift in those elements significant shift is happening in the rest of the infrastructure elements, if change the shape and size of the formative element president in the form of (1 ) to form Kaaba will alter the nature of the spatial structure and posed and Mathvl its deliberative and well-established concepts. • It is most important to a Astnatajat: The place Ptgelet across the three structures (physical, efficiency, and conceptual), we find the time emerges in his presence and echoing through the sayings of these functions and mobilize brands. One of the main proposals: .abanny spatial actors in the Muslim porcelain.

الكلمات الدلالية


Article
Aesthetics Soviet sculpture in the twentieth century
جماليات النحت السوفيتي في القرن العشرين

Loading...
Loading...
الخلاصة

The research currently in place (the aesthetics of theSoviet sculpture in the twentieth century) specialize Find studying Marxist theory and theoretical foundations and mechanisms of functioning in the works of art art Russian sculpture, the study of the first beginnings of the art of the Soviet sculpture dealt with by the socialist realism in works of sculpture and works that dealt with the poor class subjects and political figures and leadership and heroic, literary, scientific, also touched on many of the Russians and sculptors to work, and according to the information gathered and studied the researcher was able to try to clarify the subject of research through four chapters: InterestedFirst chapter: the methodological framework for research, represented by the problem of research that have been identified through which the reasons for doing this research, and the importance of research and the need for it, and the aim of the research of b (known as the aesthetics of the Soviet sculpture in the twentieth century) and the border, which was appointed by which the time period desired studied in the Soviet Union . And it ended the first chapter defines the most important terms in the title of the paper. Seond chapter: it contains three sections represent the theoreticalframework,namely: - First section : the reflection of the aesthetic theory of Marxism. - second section : the philosophy of the Soviet sculpture inthe twentieth century. - third section : the most important pioneers of the Soviet sculpture. As well as determine the theoretical framework of indicators that emerged during the three detectives, and touchedon earlier studies to look. The third chapter: research procedures, have been identified as the research community and the sample taken from him,and show the approach taken in the search, and search tool, theend of the analyzed sample consistingof(5)models. The Fourth chapter: has included the findings, conclusions, recommendations and proposals, and the findingsoftheresearcher: 1. advocated Marxist theory (Art Society) and overturned the theory (art for art), because art community the best way to get to the poor class and the expression of humanitarian issues drawn from everyday life and make art for society as a whole, after it was art only for art and artists, so as to strengthen the relationship between Art and life of the people, and urged the community to achieve new successes in building socialism communism. 2. marked by acts of socialist sculpture embody leading political and literary figures as a result of their significant role in building the society, and its achievements of the Championships and national positions, which is an attempt to show the great importance of science Marxist beauty in the art of sculpture avant-garde and progressive, due to be confined to function as such, political Pure ideology. One of the conclusions reached by the researcher: 1. The emergence of the philosophical dimensions of Marxist theory in the art of sculpture Russian Socialist clearly, where concepts and Mattiytaha emerged in the subjects taken from the simple proletarian society. 2. might turn socialist art to portray a lot of social, political and other cases, the implementation of the plan of Lenin as monumental propaganda carried out by the massive monument monumental play the role of witness ideological primarily devoted to these works suggest thespiritoftheSovietchampionship. The researcher has proposed a study of: (sculptural scenes of gravestones in the Soviet sculpture).

الكلمات الدلالية


Article
The structural characteristics of the form in the Turkish ceramics
الخصائص البنائية للشكل في الخزف التركي

Loading...
Loading...
الخلاصة

The research deals with (The structural Characteristics of The form in the Turkish Ceramic) has four chapters, first chapter dealt with problem of research and, importance of it and the need for it then specifying most important terms mentioned within the research, the problem of research is represented by tackling the structural characteristics that recognized the works of Turkish ceramic, with all their optical information, the problem of research has showed an urgent need to a reply for the following enquiry: - How could the Turkish potter to show his ceramic works through variable and active structural characteristics ? While the importance of research was representing an attempt to identify and specifying structural characteristics of the Turkish ceramic and also represented a simple scientific effort will be added to other student’s efforts in the field of Islamic art generally and ceramic particularly. Also benefits the specialists in knowing the aesthetic and structural of Turkish ceramic forms and fueling general and special libraries with artistic and scientific effort in the field of plastic arts. The research discovered how the Muslim potter is concerned about the aesthetic and Islamic side and achieve this concern in his arts, while the goal of the research was represented in (Knowing the structural characteristics of the form in the Turkish ceramic) and the research was limited with studying the ceramic works done in Ottoman era in Turkey within the specified period of ( 10-12) A.H (16-18) A.D, while the second chapter was represented by theoretical frame including two sections: First section concerned with (Constructivism of the form between elements and basis of organizing) while the second section concerned about (Studying the Islamic Turkish ceramic) , theoretical frame was finalized with a bunch of indications and the previous studies. The third chapter tackled with the procedures of research that included specifying the population of research and choosing the sample of research then analyzing it. While the fourth chapter included results of research, conclusions plus to recommendations and suggestions, some of the results got by the two researchers are: 1. There is a significant development in the structural characteristics of ceramic forms (vegetarian, geometrical, human) over time stages as we can see a particular method in each period in the century (16,17,18). 2. There were some changes have happened in the structural characteristics of the Ottoman decorations, in respect of shape structure, in term of geometrical, vegetarian , human forms and art of font. Some of the conclusions are: 1. Peculiarity of modifying forms which got highest rates in Ottoman decorations is because of that the artist depended on the following motives: a- The Islamic ceramic based on simplifying and take forms away from its natural size to a mere aspect. b- Modifying forms is resulted from the innovations of the artist and his wide intellectual ability, he quoted his themes from the nature and add to them or modify them provided that these aspects still have their reality feature. 2. Ottoman ceramic is well known with a unique peculiarity is variety of colors in one work with making use of the background color in the same time to add aesthetic value for the artistic work. Keywords: The structural Characteristics, the Turkish Ceramic

الكلمات الدلالية


Article
Architecture implemented on the Islamic Ottoman ceramic forms
بنية الأشكال المنفذة على الخزف الإسلامي العثماني

Loading...
Loading...
الخلاصة

Islamic works of art ceramic has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual and cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, has sought Muslim artist in his own language Creative eating nature vocabulary and processed through a technical modification and innovation, proficient in by highlighting the formal structure of a new show in which the aesthetic and functional role consistent with new thinking, and the most important artistic styles of the Islamic Ottoman style. Hence this research to study (the shapes executed on the Islamic Ottoman ceramics), which included four chapters structure: The first chapter discusses a presentation of the research methodology included the research problem - its importance - needed - Find goal - temporal and spatial boundaries. The second chapter section to two sections: the first section came: constructivism art form in Islamic art, came second topic: the decorative motifs executed on the Ottoman ceramics. The third chapter procedures included as Search for the research community and the multitude of 48 different species and measurements in accordance with Khozvia (dishes - dishes - tractor - vases), has identified a researcher sample purposely and with (4) sample. The fourth chapter set of results, most notably: 1. The emergence of the intellectual and stylistic influences of Islamic art in Ottoman ceramics, both in shape or color or technical drafting. 2. Adoption of the Ottoman artist on symbolic meaning and expression of semantic form and color incarnate on the ceramic surface. The conclusions of the most important of which was: 1. included ceramic business diversity between the shape and color to produce a unified formal structure. 2. did not leave the Muslim artist cultural heritage in the construction of artistic forms after he penned a new Islamic vision and spirit. The study hasa number of proposalsand recommendationsand thenfollowed bythe title andsummaryin English.

الكلمات الدلالية


Article
Aesthetics vegetal decoration executed on the metal artifacts in the threshold of the Holy Hosseinieh Museum
جماليات الزخرفة النباتية المنفذة على التحف المعدنية في متحف العتبة الحسينية المقدسة

Loading...
Loading...
الخلاصة

Addresses current research is marked by (the aesthetics of vegetal decoration executed on the metal artifacts in the threshold Hosseinieh holy museum) was interested in studying the multiple decorative formations and executing different techniques in performance and style and of the products of Islamic art, as it were divided current research into four chapters, the first chapter contains a problem interested aesthetics diverse in style and decoration and technical performance of the most important metal artifacts as a symbol for technical style in the Islamic era as well as the importance of research and the need to target down to the limits and search terms. The second chapter included a theoretical framework and previous studies, which included two sections: Section I eat: Islamic decoration (references and configuration items), while the second section included: nature of the decorative arts in the Islamic (technical applications). Down to the indicators resulting from the theoretical framework. And ensure the third quarter, which contained the research community’s number is (40) a model of metal artifacts in the threshold of the Holy Hosseinieh Museum as well as the research sample the (5) model has been analyzed in accordance with the curriculum content analysis. The fourth chapter, which guarantees the results of the most important: 1. artist adopted the process of vaccination enamel to give the versatile metal masterpiece in the configuration as well as Altkvi enamel to give shape Theophorus enamel rule in the central and aesthetic. 2. cared artist distasteful regimes redundancy in the production of watch formative through the adoption of an integrated and interrelated and decorative units granted by the public scene rhythm physically infinite repetition in the stretch in the spaces of the artwork. The study found a set of conclusions including: 1) interested in the Muslim artist centralism, in the production of various compositions with motifs repeated in the visual one scene. 2) contributed to the teachings of Islam in the Muslim artist vocabulary use of the abstract nature of the achievement of a high aesthetic forms in nature is characterized by diversity in the decoration towards innovation in Islamic architecture and the arts. And ending with the current study proposals that were the most important of the study: (a decorative metal configuration Antiques structure in the threshold Razavi Museum). And finish with a list of sources and references.

الكلمات الدلالية


Article
Symmetry in the old Iraqi cylindrical seals
التناظر في الاختام الاسطوانية العراقية القديمة

Loading...
Loading...
الخلاصة

The current research consists of four chapters: the first of which contains the research problem, which summarized in the following question: - the importance of the principle of symmetry in the Iraqi cylindrical seals editions of old? Also included the importance of research and the need for him and the goal of research: Detection of symmetry in the old Iraqi cylindrical seals. The second quarter may be the theoretical framework of two sections: First topic: the art of the old Iraqi cylindrical seals. The second topic: the concept of symmetry in the artwork. As well as indicators that it ended theoretical framework. The third chapter contains the research community and sample research and analysis and search tool amounting to five acts of the old Iraqi cylindrical seals the sample. The fourth chapter included the search results, including:  contributes to the achievement of the principle of symmetry feeling as often and plurality and diversity while maintaining the unity and cohesion of the artwork.  achieve the principle of symmetry and a sense of repetitive movement and reproduction, vitality and dynamism in the construction of pictorial cylindrical seal As well as the conclusions, including: -  shares the principle of symmetry in achieving artistic perceptions and ideas are difficult to achieve and artists have resorted to him to achieve some of the contents and implications of symbolic and ideological mysterious. As well as recommendations and proposals and an index sources of research and abstract in English.

الكلمات الدلالية


Article
College of Nursing students' attitudes towards specialization
اتجاهات طلبة كلية التمريض نحو تخصصهم

المؤلفون: Najeh Hamza Almumory ناجح حمزة المعموري
الصفحات: 185-204
Loading...
Loading...
الخلاصة

This study aimed to identify trends in students of the Faculty of Nursing towards specialization, and are there statistically significant differences between the attitudes of students in the College of Nursing towards specialization depending on the variables of sex and Almrahlpn In order to achieve the goals of the research, the researcher built a scale and the fact that from (38), paragraph measure of trends students of the Faculty of Nursing towards specialization . The research sample was composed of (114) students and demanded of the first and third phases. Askhaddm and statistical methods Pearson correlation coefficient and Spearman Brown Altaii test for independent variables The results of research that there are positive trends towards specialization of males and females. The number of students who had positive attitudes (103) of the total sample of the research faculty and the amount of (114) and those who have reached the negative attitudes (7), neutral (4) with an average of (148) and a standard deviation of (26.53). Did not show statistically significant differences between members of the sample according to the variables (sex - stage) are allocated to the nursing profession.

الكلمات الدلالية

جدول المحتويات السنة: المجلد: العدد: