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مجلة نابو

ISSN: 24114650
الجامعة: جامعة بابل
الكلية: الفنون الجميلة
اللغة: Arabic and English

This journal is Open Access

حول المجلة

مجلة فنية محكمة تصدرها كلية الفنون الجميلة - جامعة بابل .
صدر العدد الاول لها سنة 2006 .
وهي مجلة متخصصة بالمعرفة الفنية والثقافة الجمالية والحوارات المعرفية .
اماالاعداد التي تصدرها فهي سنوية حيث تصدر عدد واحد في السنة .

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معلومات الاتصال

napoomag@yahoo.com

جدول المحتويات السنة: 2016 المجلد: العدد: 14

Article
Identity and its relationship to rebellion against parental authority crisis
أزمة الهوية وعلاقتها بالتمرد على السلطة الابوية

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الخلاصة

The psychologists and education of adolescent psychological and date the real birth of the individual as having had a unique and very important stage in terms of the individual personality take shape and take final shape in all the psychological characteristics and social and psychological, where the same individual discovers the true philosophy of realism and determine his future. It is also the storm and the stage is full of problems and tensions and pain and psychological conflicts, but is the beginning of the emergence of the problems, which is due in its entirety to the frustration and the various conflict experienced by the adolescent in his life within the family and outside the school and the community in which it belongs and this necessarily lead to a teenager suffering from anxiety, loss, rebellion, pessimism and reduce the level of activity and enthusiasm and optimism. Appear in this stage need teenager to the formation of identity and the continuing search for identity or self, as seen by Ericsson, which seeks the adolescent to determine the meaning of existence and life goals and plans to achieve those goals (Who am I, what I want, and how can that I what I want), and if not This is achieved, it can be argued that the adolescent suffers from bipolar disorder identity or embracing the identity of a negative may lead to behavioral disorders or Almtdhad may reach this case to the extent of extremism to the degree that some teens go to the practice of social deviance, and sexual and the use of violence and neglect of the study and a sense of despair. The rebellious teenager to control and guidance and act as an independent and this is reflected in its rejection of the pattern of behavior directed by adults as the only kind desirable. Therefore, research is an attempt to identify the nature of the relationship between the crisis of identity and rebellion against parental authority and school among adolescents. The researchers demonstrate a range of psychological theories that dealt with identity crisis and the resulting patterns of behavior is not desirable. Also addressed the subject of rebellion against parental authority and the school from the Muslim perspective. He also presented the research group of local studies that dealt with this topic that the researchers did not find studies on Arab and foreign countries related to the subject matter and because of the scarcity of studies in this area. To achieve the goal of current research promising researchers two measurements are the measure of identity crisis and a measure of rebellion against parental authority and the school authority and to verify the validity of the paragraphs of the scales, the researchers introduced the scales at a group of experts as they follow scientific measures in the collection and analysis of paragraphs and extract the validity and reliability of the two measurements and became the scales appended the final made up of ( 30) paragraph for the crisis of identity and (20) for a paragraph to the measure of rebellion against parental authority and the school authority. The sample consists of (100) students were selected random sample from a secondary school in the city of Hilla, have shown search results that are statistically significant relationship between the identity crisis in teens and rebellion against parental authority and the school authority where it reached the correlation coefficient between the two variables (63%) . In the light of the results of search They recommend a number of recommendations, including increased attention by extension the psychological and educational in schools and the preparation of scientific personnel efficient and specialized to carry out this task and also recommended the holding of councils of parents and teachers on an ongoing basis to educate parents manifestations of growth at this critical stage of the life of the individual and the interest in clubs, sports and entertainment in schools. They also proposed a number of future research, including: 1 - a crisis of identity and their relationship is concerned, aggression, fear. 2 - to rebel against the dictatorship of power and its relationship to parents, academic achievement. 3 - to benefit from standard research in similar studies.

الكلمات الدلالية


Article
Representations sustainability of life in the old Iraqi art (pottery of Samarra, the fifth millennium BC
تمثلات ديمومة الحياة في الفن العراقي القديم (فخاريات سامراء، الألف الخامس ق.م

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الخلاصة

The research currently in place (representations sustainability of life in the old Iraqi art (pottery of Samarra, the fifth millennium BC), where the man was old close to the surrounding nature Vansjm with them first and then claimed Looking at her, trying rating movements and regulating its relationship with them. Before we explain the phenomena of the universe and looking for the etiology of transformations of nature was facing these phenomena and transitions psychological emotions, Veptahj to suggest joy where and depressed and sad to suggest melancholy and sadness. he even promised these feelings has necessarily inherent natural interactions, and wrote her rituals and holidays free he shared them as a reaction to what is changing around him, he scenes, and whole scenes with emotions was excited and felt the desire to struggle alongside the likes and feels the desire in giving and sacrifice for what tends to him and wishes the NFL. And ensure search of four chapters neither those first on the methodological framework of the research consisted of identifying the research problem and its importance and the need for him and also its target (b detection and encoding of the concept of sustainability of life in the old Iraqi porcelain mechanism (fifth millennium BC). While the second chapter contains the theoretical framework which Ahthy on the terms of reference of the sustainability of life in humans since ancient times. while Chapter III contains measures research community and appointed consisting of 10 samples analyzed .. down to the fourth quarter, which contained the search results and the most important are: 1. You can not separate the image of the ancient Iraqi art for thought, the old Iraqi art sheer robe wearing the sacred, and formed a central focus of the conflict structure move in its orbit image expression of the sustainability of life in Samarra, as in the sample different models Pettmthelat. 2. The parent unit and configuration: Iraqis said the ancients their firm belief that the things of the universe back to the origin of one, a (water) has been shown to us in the sample model (3) in lines or linear configurations, or by reference to him Pets water like fish, or birds living in an aqueous environment. As well as to contain some of the most important conclusions: 1. The energy expressive creative with the old Iraqi artist for philosophical with placed after Antlogi refers to the authenticity of this civilization and depth of the intellectual and ability deep in conclusion, contemplation and interpretation, and thus formed the first building blocks in the human thought to contest the midst of the great questions of existential, Iraqi art and ancient pottery and conclude cylindrical The statues and murals bus so. Down to the proposals where researchers conduct some of these studies including: (environmental impact in shaping the contours of the speech live in the old Iraqi Arts.)

الكلمات الدلالية


Article
Thought and composition in the artist Mahmoud Sabri, from realism to expressionism realistic quantum fees
الفكر والتشكيل في رسوم الفنان محمود صبري من الواقعية التعبيرية الى واقعية الكم

المؤلفون: 13/5000 Bloom inside Hassan ازهر داخل حسن
الصفحات: 57-82
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الخلاصة

Thought and Plastic Art in Sabri’s Paintings: From Realism to Quantum Realism Plastic artists have been trying to give their work further dimensions such as the scientific dimension. One of the leading figures in this respect is the Iraqi plastic artist Muhmood Sabri , who is a good representative of this trend in contemporary plastic arts and his theory is said to stem from some European roots. Anyhow the artist, in question, is worth being focused upon. Chapter One is a frame of the study. Hence this work starts with the problem of the study which takes the form of these questions: What is the range of the auto mental visions that Muhmood Sabri enjoys? What mechanism does he apply to his mental and scientific approach to his product? And what are the common features both quantum realism and the abstract engineering painting have? Besides, this chapter includes the significance or importance of the study as well as its limitations and the procedural definitions of relevant terms. Chapter Two is a review of literature. It divides into two sections: the first section is on the mental content and discourse of modern art whereas the second section presents the mental content of Sabri’s painting. Chapter Three is on the procedures of the study. It is concerned with the population of the research work, its sample, approach and tools of data collection. This chapter ends with the analysis of the sample models. Chapter four deals with the results and conclusions of the study. Here are three results: 1. Sabri’s paintings, which can be considered to be examples of expressive realism, generally reflect a tragic atmosphere reflecting the artist’s own social world. Sabri’s products form but a hidden frame in his pure abstract (quantum realism) paintings. 2. Sabri’s plastic dialectics is coloured first by his Marxism. Secondly, he tends to be scientific in his treatment . Finally, despite his innovation and creativity, he never gives up his deeply-rooted ideology while his aesthetic transfer and mental and ideological displacement on his way to his scientific mentalism . 3. Design is an overriding feature of Sabri’s paintings. His expressive realism (or socialism) or what he later called quantum realism, is a common characteristic of his aesthetic mental and ideological objectives. The research worker has also arrived at conclusions such as the following: 1. The interdisciplinary relationship that governs both the mental vision and discourse of plastic art has been the focus of the majority of modern European artistic trends. This very interest or focus has led to plastic art values that provide a global track for artists to follow and the contemporary plastic artists are not an exception. 2. Sabri’s painting certainly matches with most requirements of the trends of modernism in art. The broadest matching has been found to be with cubism and aesthetic abstraction. Cubists have sacrificed content for form. On the other hand, advocates of abstract plastic art deal with formal beauty in terms of what is lying behind the visual text for they are after what is spiritual rather what is depicted by the senses. That is why, Sabri assumes that quantum realists are not content with just displaying all that is abstract. They are rather rendering the essence of what is abstract via simulation or virtual presence.

الكلمات الدلالية


Article
Critical discourse of the theater of the absurd structure in accordance with the phenomenological approach
بنية الخطاب النقدي لمسرح اللامعقول وفق المنهج الظاهراتي

المؤلفون: Utmost Tariq Hussain منتهى طارق حسين
الصفحات: 83-97
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الخلاصة

In the wake of World War II, the Theatre of the Absurd, as a social and psychological conduct, outlined a setback for humanity, due to losing its balance which signalled the deficiency of intellectual reasoning. The drama of the Absurd was a departure from the Aristotelian constants in dramatic structure of the theatrical text, as playwrights of The Theatre of the Absurd tended to rotate the dramatic structure of the text so that to let it move in a non-fortitudinous whirlpool. Hence, traditional endings disappeared and dramatic events kept spinning around itself. This led to the creation of a theatrical space based on differentiation or abstraction and condensation. Thus, the introduction of multiple philosophical concepts to the spaces of theatrical performance changed the movement of theatrical phenomenon through multiple interpretive Phenomenological readings in order to achieve aesthetical recognition, and to engage in a more spacious space in the study and analysis of text and performance as an Apocalyptic philosophy, along with the participation of the recipients and the events they had sought. Hence, Phenomenological approach constituted a methodology and direction for things which assigned them a meaning and established their indications within direct experience. Existentialism philosophy had a clear and concrete dominance on Phenomenology and the futility philosophies which it formed their essence. Therefore, Theatre of the Absurd and the Phenomenology philosophy adopted the visual side in clear visibility to offer the recipient the greatest part in the explanation and interpretation. As a need had arisen for a study which specialises in the structure of the critical discourse of the Theatre of the Absurd in light of the Phenomenological approach, within a specific objective aiming at detecting Phenomenological characteristics in the Futile Critical Discourse Structure. It was also essential to analyse an applied sample based on the Phenomenological approach in the analysis of information.

الكلمات الدلالية


Article
Features doctrines literary texts Ali Abdul Nabi al-Zaidi play
ملامح المذاهب الادبية في نصوص علي عبد النبي الزيدي المسرحية

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الخلاصة

Renaissance has seen a lot of intellectual and scientific developments that created a radical correlation between the philosophical origins and their knowledge frames. This era has also seen major shifts in strengthening literary phenomena, which associated with the process of historical, social and mental development of nations. Literature movement has been able to inspire the historical path of the evolution of the literary doctrines, which helped in the study of its intellectual references of mind and imaginary. The intellectual studies and their creative concepts are characterized by the laparoscopic fields –formal and substantive – and the relations of the self and the subject, the nature of the literary genre and its multi-fields. the difference in literary doctrines depends on the operation functions as well as the nature of the literary genre and its multi-fields. it also depends on the nature of the self and the objective vision to the concept of Art. The inspiration of the historical path has helped in the sequential study for its procedures. But it is the experimental flexibility of these doctrines that make of them a field for evolution and knowledge. Therefore, it gets to be a collective legacy in the course of the human development. Literary and philosophical studies were full of these doctrines features in terms of origins constructivism and its entry in literary Genres and so it provides a vision on its features and characteristic as a modern phenomena and present a field for study and research to highlight the roles and basics to create models that are linked organically by the historical and social development process. The multiplicity of literary doctrines has come to picture the nature of physical and imaginative reality which attempt to build an artistic image able to picture the variable relationships. So, This research has come in four chapters. Chapter one has included the methodological framework – the problem of the research under the following question: Are There Features for the Literary Doctrines in the Theatrical Texts of Ali Abdul Nabi al-Zaidi? This chapter has also contained the importance of the research, the need for it, the aims and the temporal, spatial and objective limits. Chapter two in this research has included the theoretical framework which has divided into two sections: the first section has discussed the literary doctrines – a historical reading. The second section has discussed the dramatic constructivism for literary doctrines. Then the previous studies and the indications of the theoretical framework have been discussed in this chapter as well. Chapter three has contained the society of the research, the sample and the curriculum of the research. Then, the sample has been analyzed by the researcher. While chapter four has contained the results of the research and some of these results are as follows: 1. In the play (the Eighth Day of the Week), the language was belonging to the symbolic doctrine and was near to the expressionist doctrine, as its epic was approaching the romantic doctrine and so it stands far from the classic and the realistic. 2. In the play (Macbeths Counting down), the text was romantic in its language and epic, but it was the realistic doctrine that was dominating through characters and their thoughts. The play stands far from the classic, the expressionist and the pioneer doctrines. And from the conclusions of the research are the following: 1. It is the sensitivity of the changing and variable reality – historically, socially and politically, and the way of looking at it, is considered the crucial factor to the variety of the literary doctrines. 2. There is no pure doctrine in the sample of the research, but there are assorted collection of the features of the literary doctrines in the text – the sample of the research. Then, the researcher has submitted two proposals to illustrate the scientific benefit , one of these is studying the hero features in the texts of (Ali Abdul Nabi al-Zaidi), and the other proposal is studying the code and the encoding in the texts of (Ali Abdul Nabi al-Zaidi). Then, this research is concluded by the list of resources and references and an abstract in English.

الكلمات الدلالية


Article
The use of titanium dioxide to produce ceramics with a white darkness of multiple degrees
استخدام اوكسيد التيتانيوم لإنتاج خزف ذو عتمة بيضاء بدرجات متعددة

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الخلاصة

This paper examines the possibility of using titanium dioxide (Tio2) for the production of white porcelain multiple degrees and that gives an aesthetic effect on the ceramic surface, it can also be used as a base (basis) to cover the body and hide the effects potter unwanted color. Where was added titanium dioxide (Tio2) to the glass and Alkaline rates (3.6, 9.12, 15), and Tina was used is the red mud of Najaf, and the degree of maturity was the heat (970 m) using electric furnace . To see the results, the researcher developed a scale (for fusion, transparency and tonal, the texture, the gloss, and the analysis of chromatography (Photo shop & Excel)). Where varied fusion values between the beginning of fusion very severe and fusion, while varied transparency and tonal results between semi-transparent very color and white color, and the roughness of the glass surface (texture) The disparity between fine and coarse, while note-gloss glass surface between the enamel contrast and hydrated, and the results of chromatography analysis Vtbaant proportions of color. Find achieved any results of the first hypothesis (can produce varying color Porcelain White. Achieved any results the first hypothesis (can produce white porcelain multiple shades using titanium dioxide (Tio2) level of significance (0.01). The most important conclusions: 1. not change alkali glass specifications (Alkaline) when few additions of titanium dioxide (Tio2) as in the form (1.2). 2. Titanium dioxide is increasing interaction with glass compounds with increasing temperature as the rise in temperature increases the degree of egg-white. Then proposal: the aesthetics of white color in contemporary ceramics, and ends with a list of search sources.

الكلمات الدلالية

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