جدول المحتويات

مجلة نابو

ISSN: 24114650
الجامعة: جامعة بابل
الكلية: الفنون الجميلة
اللغة: Arabic and English

This journal is Open Access

حول المجلة

مجلة فنية محكمة تصدرها كلية الفنون الجميلة - جامعة بابل .
صدر العدد الاول لها سنة 2006 .
وهي مجلة متخصصة بالمعرفة الفنية والثقافة الجمالية والحوارات المعرفية .
اماالاعداد التي تصدرها فهي سنوية حيث تصدر عدد واحد في السنة .

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معلومات الاتصال

napoomag@yahoo.com

جدول المحتويات السنة: 2016 المجلد: العدد: 16

Article
The aesthetics of the human form in the sights Almnfzhaly Islamic Fatimid ceramics
جماليات الشكل البشري في المشاهد المنفذةعلى الخزف الاسلامي الفاطمي

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الخلاصة

This research study concern with (the aesthetics of the human form in the sights executed on Islamic ceramics Fatimid), which is located in four chapters: Chapter One included a presentation of the research problem identified by asking the following: Makaddr achieved aesthetic act anchor and as a value to embody the human form in the sights executed on Islamic ceramics Fatimid ? It came the importance of research and the need for it in terms that benefit people interested in art in general and potters in particular, through the statement of the aesthetic value of the scene collage ceramic work in the Islamic Fatimid era. The need to this research represents an attempt by the researchers to fill the vacuum in this important area of artistic composition that the issue needs to be enriched in this area of research, and to reach the desired results. The objective of the study lies in: (you know the aesthetics of the human form in the sights executed the Islamic Fatimid ceramics). And identifies research study of the human form the port on the surfaces of ceramic plates from the Islamic Fatimid era, and the magnitude of the aesthetics of composition within the overall composition of the scene photographer, and within the specified period of time between Century (5-6) e / (11-12 m). As the second chapter: it has included theoretical framework and studies approach and the neighboring (former), which contains two sections: Me first research study: Art in the Islamic era Fatimid, and Me second section study: ceramics in the Islamic era Fatimid concluded the theoretical framework of a set of indicators, and studies approach and the neighboring Previous . The third chapter dealt with the research procedures included identifying community search and selection of research sample the (4) ceramic works, then the search tool and a description and analysis of the sample. While the fourth quarter included the results and conclusions of the research, as well as the recommendations and proposals, it is among the findings of the researchers are: 1. aesthetic value achieved through processing shapes and Tanasbadtha and balances the level that indicates the accumulation of Potter’s experience and breadth of applications, all of which the human form of sovereignty center in the overall composition on the surfaces of ceramic plates, achieved in the research sample all models. 2. diversity studied the forms of organization conscious of the elements of the decorative configuration shares, in all the research sample models, to find Tnasagah relationships worked to increase the thrill vitality and give the landscape collages, and achieved the unity of a comprehensive coherent according to the principles configuration, influential vision aesthetically. One of the conclusions reached by the researchers are: 1. represent the vocabulary of the topics that were common in the Fatimid era and embodied human forms, in which the representation of the people and the kings or princes of this covenant, which came on the format of the configuration printed results of his time than others from the art work in this direction. 2. configuration format came loaded on the themes embodied dishes especially Knsag to engage and filmed some of the forms in which human manifestation of opulence refers to the prosperity and stability of the present Covenant on different ascend One proposal reached by the researchers are: 1. Aesthetics animal shape in the viewer executed on Islamic Fatimid ceramics 2. Aesthetics plant shape and Aharovi scenes in executing the Islamic Fatimid ceramics The study concludes with a list of sources and references, and appendices and the abstract in English

الكلمات الدلالية


Article
The dramatic transformation of the literary text to theatrical drama Epic of Gilgamesh and the flood drama For (Adil Kadhim) model
التحويل الدرامي من النص الأدبي إلى الدراما المسرحية ملحمة كلكامش ومسرحية الطوفان لـ (عادل كاظم) إنموذجا

المؤلفون: Shatha Taha Salem شذى طه سالم
الصفحات: 39-56
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الخلاصة

Reveals this search for the most important are some aspects that are specific text epic, as well as text theatrical and took the researcher Epic of Gilgamesh and play the flood Adel Kadhim adaptation of the epic as a model, and how close spacing between Monday because both are subject to special laws going internal system for each race of the races has therefore included this research study of the dilemma and structural research and Mngeth and its importance and objectives and then touched research to identify the most important terms also wish four Investigation section first talked about the dialogue in the saga of the language of technology, while the second section was about the language of dialogue technique in the play included the most important theoretical framework indicators, while the third section dealt with the research procedures which epic of Gilgamesh analysis as well as analysis of the flood to play just Kazim, then the fourth section, which concluded that the most important results and a list of sources and job references. The most important of these results: - 1. saga of the long hair and the language that is in the form of a novel of the events ranged widely adopted. 2. The language of dialogue adopted by the flood theatrical language of poetry intense that do not rely on stretching and strength dwell but was from the power of the play.

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Article
Gap factional public display Fine (Fine theaters in Baghdad, a model)
فئوية جمهور فرجة الـــعرض التشـــــــكيلي (دور العرض التشكيلي في بغداد انموذجا)

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الخلاصة

Consistently applied and theoretical and experimental modern knowledge both to pursue product segmentation into categories eg Vthwaih recycling materials in industrial waste. In the area of our research has adopted modern approaches in the literature and art on the division of technical visually text was legible or into categories according to Jnasadtha to facilitate access to knowledge and built the nail unit measuring ratified the biggest of text space, as a reaction to the historical and narrative approaches . With the vastness of space patch which governs the proposals and approaches to the art of forming and unstable faltered by today’s culture, which is in one of its present arent constants of the previous gains knowledge example, turning monounsaturated reading side of the text to the plurality governed directly proportional to the number of readers. This displacement in the priority of the Department of the text to the recipient Lovers discrepancies between the IPO and the treatment was necessary to shift the tools to monitor and measure the point of the new cognitive system . The research aims to provide statistical study to monitor the public to receive Iraqi art across categories (emergency, cultural and artistic) on the opening day display exclusively at the level of the receiving public either on the level of works of art department researcher has the type of performances into two diagnostic and talking.

الكلمات الدلالية


Article
The reality of teaching ceramics at the College of Fine Arts University of Babylon
واقع تدريس الخزف في كلية الفنون الجميلة جامعة بابل

المؤلفون: Zainab Sami Abdul Muttalib زينب سامي عبد المطلب
الصفحات: 99-133
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الخلاصة

The search includes four chapters: the first chapter includes the systematic framework of the research, and has a problem of the research centered on the following question: What is the objective reality of the branch of ceramic in light of educational and technical targets established for the branch? What are the ranges of the relationship between the theoretical and practical study? The importance of the study lies in its being an academic work (field study) that useful for the students in the college of fine arts (teaching staff, administrative staff, students ... etc.) and those interested in this field. the objective of the study is to know the reality of ceramic art at the Faculty of Fine Arts - University of Babylon. The research is specihed to be applied in the Republic of Iraq - Babylon University - Faculty of Fine Arts (the study of ceramic reality at the Faculty of Fine Arts), in 1995 - 2005 – 2015. the second chapter, is the theoretical framework of the research which includes two sections, the first section is about the reality of ceramic art in Iraq. The second section clarifies the reality of the branch of ceramic art in the College of Fine Arts. the third chapter includes the research procedures. The final chapter is about the results of the study and the conclusions. The chapter ends with the recommendations which the researcher considers worthy to be studied in the future. The study is finalized with the references.While the fourth quarter included the results and conclusions of

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Article
The role of the mask in a theatrical performance (Comedy de Arte) a model
دور القناع في الاداء المسرحي (الكوميديا دي لارتي)انموذجا

المؤلفون: Zaid Salim Sulaiman زيد سالم سليمان
الصفحات: 135-152
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الخلاصة

Every human being own life, world voice that distinguishes him and makes him unique, and a mask that sticks and stimulates his features and his face . during the time to leave in every moment Parcel changes , a mask that he appears with it to the people to effect and be effected and after the comic mask of De larty which is considered cultural identity before everything and it goes to the physical and the mental treatment so it cares about the body as well as the Soul . and it enters in to individual relationship then into a dual expression and free it from it’s due back to belongs to accessory or the mask ? and going back to it (the mask) will be a solution in changing things for the actor in the other . as a solution for the disability of body’s expression. from that point our study has come to search in the use of the mask and the similarity of that performance in the comedy of “De larty” which we consider as an example for analyzing . While the fourth quarter included the results and conclusions of

الكلمات الدلالية


Article
Psychological alienation in the text of the play, Falah Shaker
الاغتراب النفسي في نصوص فلاح شاكر المسرحية

المؤلفون: Baedae Ali Hussein Mahmoud بيداء علي حسين محمود
الصفحات: 153 -184
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الخلاصة

Alienation has multiple meanings, including social interaction, including the money linked to economic conditions, including the associated mental illness and psychological patient expatriate also “may be the alienation as a result of his illness and after the development of human life after the industrial revolution and the complexity of its relations became suffers persecution employers and the looting of his freedom, which led to his sense of alienation, featuring Find four chapters, Chapter I. ensure methodological framework of the research - research problem is concentrated in the following question: What psychological alienation in the text of the play, Falah Shaker (causes and consequences)? As demonstrated importance of research as a clear concept of psychological alienation in the texts Falah Shaker play, then the aim of the research which is known as psychological alienation in the texts Falah Shaker play either its borders has been limited to the temporal boundaries (1971- 2005), and the limits of spatial Iraq, objective and limits, it was to study the concept of psychological alienation in the texts Falah Shaker stomach and author concluded chapter defines key terms . The second chapter: the theoretical framework and previous studies, guarantees the two sections, the first Me to the concept of psychological alienation, while the second section has me studying the psychological alienation in the theatrical text globally-Arab and concluded Chapter of the most important indicators that Oanha theoretical framework, repaired yet so the profile of the author’s life Falah Hakromndzath Performing during his artistic . He dedicated the third chapter of the research procedures, which included the identification of the research community in accordance with the periods temporal and spatial which are encompassed within the limits of the search, Amainh research, has been selected texts playwrights from within the research community of (11), a play, a play (punishment and crime) years (1989) to farmers Shaker, the text of the play (Paradise opens its doors late) to Falah Shaker year (1998), and then purposely analyzing samples of appropriation, “the sources and the related literature and the theoretical framework indicators . The fourth chapter, the study has concluded it to a number of findings, and the most important 1. The Psychiatric closely alienation personal heroine when Falah Shaker, especially in the play (Paradise opens its doors late) . 2-dreamy personal reassurance and to rely on the perimeter will bring it this reassurance 3. psychological alienation may be the result of economic destitution or social or psychological . The research found a group conclusions including: 1. ¬saad psychological alienation in the book provide the insides of their character easily to the recipient . as well as the recommendations and suggestions of the most important: 1. Emphasize the concept of alienation psychotherapy in the initial studies and a list of sources and references Arab .

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Article
Alalamatah systems in the Iraqi Contemporary Sculpture
النظــــــــم العلاماتية فــــــــــي النحت العراقي المعاصر

المؤلفون: Abdul Karim Shaker naema عبد الكريم شاكر نعمة
الصفحات: 185- 215
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الخلاصة

The research deals ( versification signals in contemporary sculpture in Iraq ) and that in the study of the nature of the mark in terms associated with the brand thought of man as a being aware of them and the most important classifications and subdivisions by eating search for the role of the mark in guiding the engaging mechanisms in the Iraqi forming and specifically generation sixties are in the works of some artists who their leading role in the establishment of the first building blocks of sculpture through which became the works of art Comerdjaaat interest to scholars in the field of art. Find four chapters have been contained, the first quarter included the research problem and its importance and the need for it, it has been identified the problem of current research to investigate the signs that can be studied in the works of contemporary Iraqi sculpture as the first chapter to ensure objective research to identify the contemporary Alalamatah systems in Iraq’s sculpture The limits of research contained Systems the first chapter has been limited to a study (Alalamatah systems in Iraqi contemporary sculpture) and for the period from 1953 to 1985 m and is located in museums or private collections and publications in magazines or periodicals, and contained a second chapter on the theoretical framework and previous studies included theoretical framework on two topics included the first section Alalamatah systems and the second section Alalamatah approaches included in the overall composition (the mechanics and applications) the third chapter included the search procedures, which consisted of research and community appointed by the search tool and approach and analysis of five models-appointed guestrooms. While beset the fourth quarter results and conclusions, and the most important results. 1 - came Alalamatah Systems product generation semantic and manifestations based on a set of dominant marks, which turned out to be a new Alamah have different Mahmoladtha FAQ system. 2 - that the process of exporting some signs Baksiditha semantic and interpretive, so drifting with the units as grounds formative function consistent with the formation reaction.Also, the researcher to a number of conclusions are as follows 1 - signifier formation is a summary of what the artist aims to him through the formations in the aesthetic composition of the associated structural signs suggestive to content Among the most important proposals suggested by the researcher that: Labeling and its impact on the sculptures postmodern

الكلمات الدلالية


Article
Primitive features in the formation of postmodernism
الملامح البدائية في تشكيل مابعد الحداثة

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الخلاصة

The research current (primitive features in the formation of post-modernism) .ozlk because the contents of the Art of reference are rooted deep in history, is the result of what can result reflection subconsciously to the growth and integration of the transformations of knowledge of human experience in art, through semantics search for the essence of beauty and values Almtbdih builders in the artwork primitive form and content, and by primitive artist of the products of art imbued spontaneous nature, is a true reflection of what can be involved in intellectual and artistic reality of structural and aesthetic performance data in the public responses . So the research problem came to ask for what defines the conceptual and aesthetic dimensions of primitive placed in the formation of post-modernism? Is placed primitive granted qualities and connotations to ensure Basbug features unique to the formation of post-modernism without the other arts and was thus guaranteed by Chapter One goal of the research wanting to know the primitive features of the formation of post-modernism, and within contemporary art in Europe and America, the limits for the period (1950 ) to (2004). It was also identified terminology. Chapter II then included on the theoretical framework. It guarantees the theoretical framework three sections the first of which dealt with the emergence of primitive art, while the inclusion of the second section, the concept of primitive features, and came third section explains the features of the primitive and the formation of the currents of postmodernism . The third chapter research procedures and because of the breadth of the research community has been the research sample election in a deliberate b (6) a model for the research sample and adopted the researchers in the analysis of the sample models on the descriptive approach and style content analysis as this chapter include building tool as initial and final The fourth quarter included the results of the research and its findings, as well as recommendations and suggestions, and the main findings of the researchers: 1- identifies primitive features in the formation of postmodernism that both the artist and the artist’s primitive Almapad Alhaddathwai enjoys the ability of creative and artistic energies possess. This energy that has not changed through the ages from the cave artist to artist the third millennium, what he sees of the world’s human subjects perceived sees the artist’s creative Bkhialath starts with Baltobeiranha. 2.primitive features appear in the form of postmodernism through colors and carries a symbolic and explicitly in addition to being expressed in the technical Ntegathm suddenly colors either explicit expressive drawings were characterized by simplicity and rigor and show movement . In light of the search results researchers supplied the following conclusions: 1. has been associated with the psychological dimension of artistic work closely through the long history of art as a valuable check a form of spiritual communication between man and himself, and between him and the other is also a psychological dimension to the anchor of a humanitarian to put proposals on the artwork. After the completion of research and investigation for the benefit, researchers propose the following studies: 1.primitive features in Gauguin fees

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