القيم الجمالية في عروض المسرح الدائري قراءة في التجربة العراقية

Abstract

Abstract Approaches and shapes Are Multiplied of theatre shows since the emergence of acting art until now, but the rotating theatre was first geometric shape known by man, a consequently, the emergence of Christianity and the fall of Rome, this kind of theatre limited to the church for a long time in the Renaissance theater went out of the church to return to its real origin (public) the frame the theatre, or which is so-called (container) was emerge. After the World wars (first and second) had out break the organizers began to seek for new places for performed. Returning to the rotating theatre is one of those places that is approaching to the receiver and imitating his daily concern, and handling the problems caused by the war. Researcher wanted to address (esthetic values in the rotating theatre shows) he divided his research as follows: Chapter One: methodological frame work that includes the study problem, significance, objectives and determination of the terms and explanation. Chapter II:The theoretical framework includes three sections:1-The emergence architectural of the rotating theatre show and its evolvement.2-The rotating theatre in the twentieth centur.3- Models From the Iraqi rotating theatre shows. Chapter III: procedural framework, a sample was chosen deliberately, in addition to the availability of the research conditions. Be sided, the play was performed in more than one place, and has gained a reward of the best director award. At the end of the study findings and conclusions have been reported.