الخصائص النفسية والتربوية لأداء الممثل سامي الحصناوي المونودرامية

Abstract

The theater is the art of the actor, the basis of the art of acting. This art, which originated from the Greeks and spread to almost all parts of the world, was built on the actor without which there can be no play, and acting is not just standing or moving on stage , But it is a unique existential situation that makes the art of the actor the most difficult subjects of theatrical art, and highlights that difficulty by identifying his feelings and feelings and trying to get close to his worlds and penetrate deep into it, and since Monodrama possesses artistic and technical characteristics unique to the other forms of theater, And locked in the depths of the selector The truth and the dream to reveal to us about the worlds of that personality and its surroundings. Therefore, the actor does not rely on serial construction in his embodiment of monodramatic personality moving through different times and through various emotional states, The worlds of those personalities and other characters that contribute to the construction and narrative of the story.