تطور وسائل تشكيل الصورة في شعر عارف الساعدي (التشكيل الرمزي انموذجاً)

Abstract

Abstract in line with the vision of poetry fertile occupying space vastly from the area of contemporary done poetic; natural as a case Taatari literary scene like the transformations that take place at all levels; the images when poet open to the breadth of the biggest pirate of all restrictions and obligations artistic lie in ancient poetic image , a condition of artistic rebellion and creative openness that exceeds the performance piece fixed to the procedural developments emerge from this uniqueness and regeneration in the process of the search for identity in the light of this noise is the product of the melting of the self in the other. It was the text has Aref al-Saadi marked cross into self-West, a characterization is evident through the course of the picture in those texts, mock the means not conducted within a foot channels poetic only; but escaped from the classic text civilization to establish a poetic civilization pots taken from linguistic liberation bridge for crossing the image to the new banks of collages, Vkhaddat graphical means such as simile, metaphor and metonymy to motion Anjazah drawn from the poetic consciousness, and the private language, Valtrkib winning pickups sham came wreathed and charged the expressive power of the symbolic oriented; reinforcement technician takes a text about the spaces in which the image is witnessing depth and breadth largest