Abstract

The research deals with the duality of hope and pain as one of the basic factors in the formation of theatrical personality at the level of its psychological and social dimensions. This duality has been particularly important in dramatic thought since the emergence of playwriting in the country of Greece to the field of modern theatre. Rabindarat Tagore is considered as one of the most important pioneers of Indian theater, who gave this duality the utmost importance and embodied it in most of its dramatic productions. Due to the specificity of theater in communication and reception, this study came to shed light on the duality of pain and pain. This study includes the introduction to the research in which the researcher presented research problem, importance and purpose. Then, the theoretical framework which deals with a theoretical foundation for the research including two topics: the concept of hope and pain, and hope and pain in the theater. The researcher came up with a set of indicators that he adopted in analyzing the sample of the selected research samples.

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The article was added to IASJ on 2022-03-28

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