مفهوم الجنون في النص المسرحي العربي مسرحية مجنون ليلى أنموذجًا
Abstract
The research deals with (the concept of madness in the Arab Dramatic text), and the research is summarized in the study at the beginning of the first chapter, the methodological framework that includes the research problem centered in the following question: What are the psychological reasons that prompted the personality to the Arab Dramatic text? Madness in the Arab Dramatic text, and the importance of the research in studying the sequence of light on the psychological reasons that drove the Dramatic character to madness in the Arab Dramatic text, after they were together in the beginning, and the researcher defines madness procedurally. A certain stage of the onset of the problem. The theoretical framework consists of three sections: the first topic deals the concept of madness socially and psychological, the second topic explains philosophical madness, and the third topic focuses on knowing the personality of the insane in the world Dramatic text. Analysis of the research sample represented by Dramatic scripts (Majnoun Laila). The Egyptian playwright (Ahmed Shawky). Among the search results:1-Qais became madness because he was associated with love and it was related to a hopeless passion, it is the love that was disappointed by his intense rush، or the love that betrayed him by the fate of death. 2-Society has a role in causing Qais to go crazy, as he is the only crazy main character in this poetic dramatic text.3-Qais did not pretend to be crazy، when society accused him with madness because he had his psychological and social reasons that drove him madness.
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