Keywords

picture, marshes, contemporary Iraqi painting

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Keywords

This research is concerned with studying, intellectual references for the engineering form in contemporary Iraqi drawing. The research was divided into four chapters. The first chapter was Included to clarifying the research problem, its importance, need for it, its goal and its limitations and defining terms contained therein. The research problem addressed the topic of studying intellectual references for the engineering shape in contemporary Iraqi painting Which is summarized by the following question: How Formed the intellectual references for the engineering shape in contemporary drawing shaped, and what did the intellectual references for the engineering shape in contemporary Iraqi painting distinguish in artists ’drawings in general? What are the intellectual references that have been seen through technical drawings? The second chapter included four topics on the first, intellectual references for the engineering form in the Mesopotamian civilization, while the second chapter, intellectual references for the engineering shape in modern European art or the third topic, intellectual references for the engineering shape in Islamic art and the fourth topic, intellectual references for the engineering form In contemporary Iraqi painting This chapter included a presentation of the theoretical framework indicators, and the third chapter included research procedures, while the fourth chapter focused on the findings and conclusions of the research. Firstly: The results: 1- The Iraqi artists' experience was characterized by the tendency of clear geometric figures, as they are related to their historical references and are reflected in various lines that divide the painting into rectangles with small semi-rectangular forms. 2- The stylistic diversity in the paintings of Iraqi artists was a relationship linked to civilizational and Islamic references that made the artist able to create semi-circular forms of repetition that suggest the artist's tendency to engineering abstract. Secondly: Conclusions: 1-The Iraqi artist tends to symbols and signs with codes that refer to the religious and cultural heritage. 2- We find the dominance of circular shapes and triangles, and this indicates the desire of the Iraqi artist to confirm its permanence and the call for fertility and beauty.

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