نظرية فرويد وتجسيدها في شخصيات جليل القيسي المسرحية

Abstract

The personal drama of the most dramatic elements in the theater because of their importance in the construction of the system in terms of cognitive theatrical form through the movements and gestures and technical configurations contribute to cognitive broadcast the message to the recipient through the two time and place of the character's aesthetic performed there. There is no doubt that social, economic, political and cultural conditions and undergone transformations, which experienced playwright, plays an important role in shaping the personal drama that references in the texts are shaped by the nature of the psychological composition .Current search included four chapters, the first chapter dealt with the problem of search and Balastfham represented by the following: What Freud's theory and reflected in the figures Jalil Qaisi play? This chapter also includes the importance of research, which started from the personal drama fact superior in terms of importance to Masuaha of other elements, until it became the main hub for the flow of events that can be perceived by the recipient during the behavioral reaction to it, and here it is appropriate to note the psychological nature .otkmen need series to current research in that benefit students in the field of theater and book theatrical text in a matter of personal play analysis in light of psychological concepts and motivations emotional and unconscious on Oukq psychoanalysis to Freud's theory, while the aim of the research is: Identify Freud's theory and reflected in figures Jalil Qaisi play, and included limits Search axes of time represented by the period of time that extends between 1974-1991oualemkaneh represented in Iraq and objective theory of Freud and reflected in the figures Jalil Qaisi play, and ended this chapter specify the terms contained in the title search of the President.The second chapter (theoretical framework), including the first two of them Mbgesin personal concept in the psychoanalytic theory of Freud. As the second section has included references Iraqi writer Jalil Qaisi the artistic and intellectual level of both the chapter concludes with exposure to previous studies, the most important Maasafar him the theoretical framework of indicators .Amaalvsal third Hoalatar practical research came, including five themes:the research community represented seventeen theatrical text and sample a play tomorrow I must leave, while Me axis, but choose another search tool, which represented the outcome of the theoretical framework of indicators. The research methodology was centered in the fourth where the researcher adopted the approach descriptive analysis, and then the sample was analyzed to end the third quarter.The fourth chapter, including the five axes came the research and its findings and recommendations and proposals and decide the outcome of sources and references