TECHNICAL COMPOSITION OF NOVEL: A COMPARATIVE STUDY BETWEEN IHSAN ABDUL QUDDUS AND D.H. LAWRENCE

Abstract

This research sheds light on certain prominent technical formations in the literary work of the Arabic author Ihsan Abdul-Quddus and the English author D.H. Lawrence from the viewpoint of the narrative style, language, discourse, setting and characters throughout the textual analysis due to the aesthetic comparison. This study intends to grasp the merits, demerits and aesthetic domains concerning the image of women in the work of these two authors aiming to clarify the technical creativity of them in order to demonstrate their narrative endeavor in form and the content. The finding were objectively acknowledged for the research asserted that these two authors were highly aware of the nature of narrative speech which is considered as a linguistic creativity and a special artistic formation distinguished by its aesthetic strength and its capability of affectively and effectiveness. So both authors were affected by the romantic doctrine in the creation of thoughts and sketching the images in accordance to the episode of emolument due to the relation to the environment, cultural background and the way they deal with life issue. Both authors were of keen attention to provide their novels with aesthetics of location, artistic spaces and semantic inspiration. This research included the following novels: Sleepless, The Blocked Avenue, A Nose And Three Eyes, The Days Of Pearls Had Gone, Do not Extinguish The Sun, and I Forgot I am A Woman (by Abdul-Quddus), “Women in Love, Aron's Rod, The Lost Girl, Sons and Lovers, Lady Chatterley's Lover” (by Lawrence).