الرموز التراثية بين هوية المرجع وحداثة التوظيف في الخزف العراقي المعاصر

Abstract

The Cultural Heritage of the history of the peoples of the means of expression of human feelings, and adoption as a stylistic for the transfer of concepts and habits associated with man since ancient times, and the transfer of the identity of this legacy in the visual texts and manner of Modernism on Iraqi contemporary ceramics through the icons to read the optical modulation summoned researcher for the study through the chapters four , the first chapter included an explanation of the research problem and its importance and the need for him, as well as the aim of the research, which (known modernist composition of the forms of heritage in contemporary Iraqi porcelain) as chapter included limits search temporal and spatial, objectivity and identifying the conventional and procedural definitions. as the second chapter has included theoretical framework, which included two sections: He worked first on the identity of the shapes heritage of ancient and Islamic art, eat second modernist composition of the forms of heritage in Iraqi art, has been allocated the third quarter to display the search procedures, since stopping the researcher before the research community and chose the sample deliberate manner dependent descriptive and analytical approach in the research sample analysis, The fourth chapter dealt with the search results, the most important:1. inspired vocabulary Avatar dating back to the sculpture Sumerian and Assyrian, and to the Islamic civilization and themes inherited locally common in the popular Gaii narrative to be that character aesthetically pleasing to the functioning of the modernist inheritance heritage and put new style Walid combination of heritage as the identity of reference and construction Alhaddathwai to show pro forma.2. formations modernist forms of heritage in the contemporary ceramic achievement relied on abstract expressionistic tendencies based on the reality of analytical synthesizer ensures horizon controversy Reading and semantic openness.The most important conclusions was:1. embodies the beauty of traditional forms in contemporary Iraqi porcelain through the vocabulary of the history and heritage of Iraq's ancient and Islamic as embodied in the spirit of the modern era, where the RPR composition forms a fertile imagination through symbols and myths that have pervaded the Islamic old Iraqi Arab civilization as well as the popular legacy.2. varied formations borrowing ceramic forms of heritage between the metaphor of the ancient Iraqi civilization where symbols and formations and sculptures, and the metaphor of the Islamic civilization, where the Arab character and compositions are written and Alrakec as well as the colors of the ideological dimension