التصاميم الزخرفية المنفذة على الآنية الفخارية في العراق القديم

Abstract

The decorative designs were a starting point in the old Iraq if the beginning was considered the truth of the raw thought which was the basis of the emergence of many works of art with the contents of the ideas and ideas expressed with all the attributes and symbols of pat are an important part of Iraq's ancient civilization. On the pottery vessels in ancient Iraq. The research included four chapters, the first of which is the methodological framework of the research, and contains the research problem, in which the indicators that contributed to the formation of decorative designs in ancient Iraq were highlighted as well as the importance of research and the need for it. The purpose of the research is to identify the decorative designs in the ancient pottery of Iraq and the mechanisms of its operation. The research limits were limited to the study of pottery from the beginning of the agricultural settlements till its end (5600 - 3600 BC). The researcher defined some terms and definitions. The theoretical framework, which included two subjects, dealt with the first topic of art in ancient Iraq, while the second topic dealt with: design systems in decorative designs and their relation to art to the indicators that resulted from the theoretical framework. The second chapter ended with previous studies, For this d Aceh Chapter III .fima singled out procedures for research, included the research community, which was confined to (54) model, and confined in the research sample (5) samples and the researcher analyzed according to the descriptive and analytical approach.Chapter IV discusses the main findings, conclusions, proposals and recommendations.The researcher reached a number of results, including:1. The decorative designs in the art of ancient Iraq were on the axis of reduction, transformation and abstraction.2. The decorative designs in the art of ancient Iraq have been based on the concept and the meaning through the introduction of decorative concepts that refer us to the meanings.The researcher presented a set of conclusions based on the results obtained from them1. The pottery decorations in ancient Iraq are characterized by open designs that work through the concepts of reduction and transformation to deposit forms and symbols of intellectual and aesthetic connotations.2. The meaning of the meaning is an important goal of the old Iraqi pottery in communicating the prevailing ideas and beliefs and presenting them in forms of a nature that is free of the ideological and legendary sense as well as the aesthetic sense.