مرجعيات تكامل الأداء الصوتي والانشاء السينوغرافي للعرض المسرحي العراقي ( بغداد الازل بين الجد والهزل ) نموذجا

Abstract

Iraqi theater witness throughout its long history much changes in the structure of text / performance, based on several changeable backgrounds. These changes affected several literary tendencies and directing. This research is intended to investigate the backgrounds of the senographical structure as an incubator of the performance and the vocal performance as the carrier of the text language in the Iraqi theatrical performance, the research took the play (Baghdad alazal bayn aljidi wal hazal) {Baghdad the immortal between comedy and tragedy}, as a sample. The research comes in four chapters, the first chapter deals with the methodology of the research. The second chapter is a quick look at the most basic known instructional senographical structures background and the voice performance through several steps and tendencies and to fixing the most indications that the researchers reached upon. The third chapter is a procedure chapter, a quick description of the methodology, which we use the method of descriptive analysis . the fourth chapter deals with the result of the research and discussion bases on theoretical indications and the conclusion .The Iraqi theatrical performance depends basically upon international theatrical experience. With some local color. The semantic construction achieved by the integration of the technique of vocal performance and its transformation with the designing the elements the pectoral elements of stenography within the common belonging to the same trends and the background for the formulation of the performance of the scene. Finally, the research ended with recommendations, suggestions, and the margins in the research.