الثابت والمتحرك في التصاميم رباعية الابعاد

Abstract

This research deals with the subject of the physical and intellectual policing imposed by the modern consumer. This is in the form of interactive design with the user، who possesses the aesthetic intellectual influence in the design in general and typography in particular through the application of this through the different means and the possibilities available from ways to enrich the design act and the recipient responses Intellectual and computer technology is one of the most prominent of these means at the present time and the most widespread and can make a breach of what is familiar and show innovative sites unfamiliar to achieve attractive visual guidance as well as the enormous potential for the collection of production The design of the types of fixed and variable and the adoption of supporting techniques، and concepts of the method in the construction of visual achievements starting from the formal system or technology or mechanisms and directing or showing .....After extensive study of many of the products developed in this aspect of the design، the researchers found a reason to enter this field and identify the effect of technical integration between fixed and moving in design، thus enhancing the vision and awareness and awareness of the importance of change to form an addition and creativity and departure from the traditional system، ، As it coincided with the cases of change and renewal، and thus vanish effectiveness and fade its importance. Therefore، the first chapter contains a problem for research، which represented the following question:- What is fixed and moving in the design component and what constitutes a role and add to the design? The importance of research is summarized as follows: Highlighting that digital techniques and software give the designer the ability to create non-traditional relationships and visual employment between the elements of the graphic، thus enhancing the positive reflection on the attraction of the recipient and the activation of the center of his sense، knowledge of the possibilities available and mechanism of use، The aim of the research is to ensure that scientific and technological progress is kept abreast of its impact، and that new dimensions and visions of design capabilities and what can be allocated from the fields of harnessing it In the design process. The research is determined by the following limits: - The objective limit: study (fixed and moving in the four-dimensional designs).Spatial limit: (4-D designs) that adopted the effects (synthesis and contrast of the visual elements (embedded) visual and activated by the extension (GIF).The second chapter (theoretical framework and previous studies)، which included the following axes: (the concept of fixed and moving - the relationship between the fixed and the moving - the fourth dimension in the design - the basis of the presentation of the designs of the four dimensions - the roots of the animation - GIF applications) Theoretical framework، which represents a scientific summary of the literature of the theoretical article، and then the right to the third chapter، which means research procedures from the methodological، and the research community and the selection of models for the purpose of analysis and research tool، etc.، and then analyze the selected models.Then came the fourth chapter، which was devoted to the results and discussed them:- GIF application is the new way in the form of animation، which has become possible thanks to recent developments in technology that helped to ease their production.- The attention can be achieved in a more creative and effective way compared to traditional methods such as images and videos by freezing most of the image elements and focusing the movement on one element or a few elements.After that، the researchers presented the main recommendations and suggestions. Then، the list of sources and the summary of the research were presented in English.