نوعا الحوار في المقامات الحريرية واللزومية دراسة موازنة

Abstract

Introduction Praise be to God who has guided us to praise, and we have made from his family; to be of kindness thankful, but Adzena on that penalty benefactors, praise be to God who granted us his religion, and Achtsna Bmmelth, and our ways in the ways of kindness which to proceed grace to His pleasure, and prayed to God to Muhammad and his family pure ...And yet The dialogue and the means of communication between individuals to express their ideas and opinions, and by circulating the language is communication between the interlocutors, and all of them express what the magnitude of the thought, and the concepts of trying to get them to another The dialogue consists of two types: external dialogue that takes place between interlocutors or more, and an internal dialogue is with the self, and herself . It genres that are closely related to the society shrines in general, the shrines of Hariri, and Alsergsti particularly these shrines abound in dialogue, and significantly, especially external dialogue takes of a large area, and has an important role to play author of it meant to the goals of trying to deliver on the way not only these on the outer ends of dialogue, but we find in the internal dialogue. Through this research I am trying to release the space that filled every type of Alhawwarvi shrines, and the way in which he sought the author to pick a narrative format in order to highlight the dialogue between the interlocutors figures, and we seek to find similarities, and differences between the dialogues shrines silk, and dialogues shrines Indispensability note that Hariri Levantine environment, Alsergsti of Andalusian environment, and the latter is the only book of Al-Andalus, who wrote a book shrines named (Ballzumiat), narrated by balancing noticed the second sought to bring about changes in his production; so was the title (types of dialogue in the standings silk Indispensability study budget )