الايهام البصري في اعمال الخزافة ميونغ جين كيم

Abstract

The current research dealt with visual illusion in the works of the Pygmy Miyong Jin Kim. The first chapter deals with the methodological framework of the research, which is the problem of the research that focused on the visual illusion in the work of the porcelain Myung Jin Kim. The first chapter contains the objective of the research, namely the recognition of visual illusion in the work of the porcelain Myung Jin Kim. Limits of research The current study has identified ceramic works that contain visual illusion. The second chapter included the theoretical framework which included two studies, previous studies and the most important indicators that resulted from the theoretical framework. The first topic dealt with visual illusion, while the second section covered modern American ceramics . The third chapter included the research procedures that included the research community and its sample, the research method, the research tool, and the analysis of the five research samples. The fourth chapter contains the results of the research and its conclusions, and the researcher reached a number of results, the most important of which: 1- Achieve visual illusion in the work of the porcelain Myung Jin Kim through tricks associated with sizes and measurements, which we find in sample samples (1, 5). 2- Color-related tricks have an active role in achieving visual illusion as in sample models (1, 2, 4, 5 ). The research presented a number of conclusions, the most important of which are:1- such as sensory perception of sensory stimuli is an essential element in achieving visual illusion by making the recipient partner in the work of art.2-potter exceeded the familiar forms in reality through the Surrealist orientation in its artistic production s.The fourth chapter also included the researcher's recommendations and suggestions as well as the mention of the researcher to prove the sources and supplements and the summary of the research in English .