Expressive calligraphic growths structure in rawdan Bahia

Abstract

Associated with the concept of expressive structure in calligraphy need artist to show new aesthetic styles، configurations and linear compositions and the variety of its forms، including some Koranic texts helped her conversations prophet Mohammad، a text inspired by artist and try activating the expressive structure، in terms of morphology and control characters and expand cognitive vision of the artist، so this meant research study how varied expressive structure in the outputs of calligrapher roudhan gorgeous which contained four chapters ، Included the first chapter on the problem of search and its importance، objectives and limits and define terminology. Chapter two addressed to trace the concept of expression and how it relates to the artist and owning the idea and the ability to express، through linear configurations by artist (calligrapher)، adopted on the text reading and spatial organization and chose the appropriate font type and subject. Chapter three represented research procedures and the combined (9) written، chosen from palette (5) samples to represent society، in which it adopted the descriptive according to researcher search tool of analysis form which was built under the guidance of experts. the analysis concluded that a number of results which chapter four which showed the expressive structure، diversity and accept written formal configurations and different additions in design of linear structures and invest some characters of linear arrangement and installation Division، As for the conclusions it represents through gained linear formations with expressive brown aesthetic value depending on the strength of the text and format the picture expressed، as well as excellence calligrapher production with expressive brown paintings gave him a technical privacy has contributed not to uphold the tradition of hereditary out new configurations، and should be noted for the adoption of the most prominent recommendations marked by the adoption of the expressive structure as a trade-off in the evaluation of the written productions in local and international competitions and festivals as a form of a third dimension plus after aesthetic and functional، and here it is necessary to study the proposal and private study expressive structure in the products of Iraqi calligraphers addressed.