مواضعات الحداثة في الفن التلبيدي

Abstract

The research topic (Convention of Modernity in Stuckism Art) of four chapters was devoted to the first chapter of the methodological framework of research and ended the problem of research by asking the following: What are the Convention of Modernity in Stuckism Art? It also included the objective, importance and need of research. The second chapter dealt with three topics: the first was modernity in thought, while the second dealt with modernity in art, while the third is its title: Stuckism Art (back modernity). While the third chapter was devoted to the research procedures. The researcher chose (3) paintings in an intentional way from the works of the art group. The sample was analyzed using the descriptive method (qualitative content analysis method) based on theoretical framework indicators. The fourth chapter was devoted to the results of the research, including:1 - The work of the Stuckism group of modernist methods (such as Impressionism, Expressionism, Cubism, Abstraction and Surrealism) by the convergence and integration of more than a modern art technique in the work of one art. 2 - Stuckism artists rely on the restoration of the great glories of modernity such as (Kandinsky and Picasso) by dealing with their artistic themes and simulated in a way that preserves the authenticity of the model. The conclusions: 1 - The Stuckism Art has contributed to the mastery of modern painting techniques and their continuation and revival. 2 - The Stuckism artist to achieve a relationship with the art of modernism and shape, style and style in a way that is not identical to the goal of reviving the memory of modern art and glorify the revolution in art initiated by the arts of modernity. The research ended with suggestions, recommendations and a list of sources.