تمثلات الاعداد في الرسم العالمي جاسبر جونز انموذجاً

Abstract

Address the current research study representations setting in the global drawing and the fact that this phenomenon as a concept cognitively based on the show many attributes are evident in the US done in that period, it has occupied a large area of the overall graphical presentations, prompting researchers to study them in order to reach to know the motive, which calls Find the artist within that structure contained four chapters:• Chapter I: methodological framework: The search included the definition of the problem and the need for him as well as the importance of the objective of the study lies in: detect representations of numbers and mechanisms of functioning in the US drawing. Included this chapter on the borders of research and method and to determine the terms chosen by the researchers and the definition of procedural her by them.• Chapter II and which contained two sections, the first section included study (root: root knowledge of the concept of number) with a lesson in the second part, examining representations of numbers in Art.• Chapter III: The researchers dedicated to research procedures, which included, research community and then to analyze samples of research and consisting of four samples were selected Qsidia choice and historical periods specified in the limits of the search.Chapter IV: included a presentation of the results Among the findings of the researchers are:1. pairing craft numerical and become a way in which art is not the result of a moment of utensils, but rather is the result of realism to highlight elements prone to the fact that creativity is in line with the principle of abstract idea when American artist, as in the sample (3-5).2. Sports and engineering codes and clear manner monuments and antonyms using technology in all its forms and is dominated by the so-called sports borrowing absolute symbols and using them within the text aesthetically pleasing as major employers in the sample (1.2 and 4).The main conclusions reached by the authors:1. Study the visual text reveals interesting American artist involvement in the process of reading the receiver artistic discourse as an effective element in the production process.2. distinguish representations number in the US drawing by binding ideology and Maimitlleke recipient of a cultural reference Itban of recipient to another, therefore, pursue the objective as well as subjective receiver attempt to reach a conceptual frameworks on the level of the internal structure or external artwork.As well as the recommendations and proposals. The study concludes with a list of sources and references.