Table of content

al-academy

مجلة الاكاديمي

ISSN: 25232029 18195229
Publisher: Baghdad University
Faculty: Fine Arts
Language: Arabic

This journal is Open Access

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jornal of the college of fine Arts University of baghdad

web site : jcofarts.uobaghdad.edu.iq

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email : al.academy@cofarts.uobaghdad.edu.iq
phone number: 009647703467114
web site : jcofarts.uobaghdad.edu.iq

Table of content: 2013 volume: issue:65

Article
Authority of digital picture With cosmos culture
سلطة الصورة الرقمية في ثقافة معولمة

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Abstract

authority of digital image in a words culture The guides are all the senses, including sight, which is the most direct and specific. And to transfer free of interpretation to a large extent and no doubt that inventions Upstream and feeding were not been put into the great importance and a holistic manner as is the case in the era of digital technology (say, in the industrial age II) has opened the invention, the digital image way for the composition of the new cultural, and that to say formation totalitarian greatest ability or energy, this technique draws its growth steady in the field of strife space sight also included service in the communities deepest, which includes the meaning of sedition for the taste alone, but goes beyond its role to the objectives of the formation of cultural and utilitarian value, the digital picture digital used to communicate, and mobilization and control between the United and to establish of penetrations culture Including all have the properties of the flow and the ability to penetrate the immediate barriers, customs and languages, to continue to carry out its role is very important that he address the nations. Objectives: 1 - to detect the flow is in the era of digital technology in the quality and wording between the means of communication 2 - reveal a culture's image in a world governed by the interests of the concentration and globalized discussion dealt with the following: 1 - The world is witnessing a significant difference between the thought of 1900 and 2000 from the thought of the reality of the uterine production of scientific and technical . 2 - The theme of the era of electronic chips in the air and many significant changes in motor behavior and psychological development of human culture to receive the symbols of awards culture . 3 - achieved a culture of digital image in the technology age that the individual is not a citizen of the state, but a citizen living in the era of being on the words 4 - the digital image appeared in the era of digital technology in a very large flow of quality and quantity between the different means of communication, in addition to the presence of image as demon new default in guiding culture.

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Article
book december mahforat
محفورات كراسة كانون وتأثيرات ما بعد الحرب

Authors: فاطمة بدر
Pages: 23-36
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Abstract

Book of Mohammed khadir and his novel (Book December) in2001,embodied the horrors of the second Gulf War of 1991,the mirror in mahforat, mahforat Goya, and Picasso, Henry Moore, and embodied the horrors of war and atrocities and linked to Gulf War11 and its aftermath. That(book December) species adjacent to the novel is the art and the first Signs of this overlap the cover of the novel, which contained panel(Guernica) and the painting dream Alatl ,and planning of three people in a shelter_the bodies in a shelter, and we know what these drawing and planning, of impact on the novel, because the title is the key to artwork, and part of the text, but the most important part in the act, as a summary of the novel and the thresholds of the text. The research has included the following points:_ *Evoke the image over the dream. *Visual narrative(optical image). *Narrative cube and the effects of post_war. The most important results, include the following:_ 1_The use of genus adjacent to the novel is the art. 2_The writer to convey his vision and messages though the interaction and expression filmed fictional objects or pictures stored in the mind and reformulation of these images. 3_Equivalent by visual discourse between artists and goal planning through verbal discourse and reality images transmitted to us from the events of the war replacing the image is real art and this hit from engineering and integration between the confusion. 4_Time is built on the premise of memory, and mating between historical time and time philosophical. 5_The novel portrayed the faces stripped and the confused and traumatized by the war and after the air raids ,terrifying those faces wrapped around the lantern for night of January the task and the cold. 6_Accumulations after the war to author wrote the novel selected Bicassos, and Goya, Henry Moore, to sleep fee war drew Mohammed Khader verbal war picture. 7_Adopted the vision of Mohammed Khader for his city of dirty image from the memory of the Sumerian city, I believe Picassos imagination cube, and polyhedron Graa mental turning this configuration in the chart to plot his city imagined hexagonal face. And manipulation of the times through the overlapping images. 8_The use of cultural heritage Avenbos Sumerian ghost writer (Dodo)and the Sumerian city and these are a lot of historical references from the gate, and the hills, and castles. 9_Flattening shapes and geometric pattern of re away ,but in random order for Vdk gave a lot of ambiguity and confusion in the technical construction, dismantling and write text space and indivisible . 10_Characterized by novel high capacity to move away from stereotypes and familiar, if adopted on a strange and an element of suspense.

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Article
Compound shapes in the painting Contemporary Fine In Iraqi Kurdistan (Sulaymaniyah a model)
الأشكال المركبة في اللوحة التشكيلية المعاصرة في كوردستان العراق (السليمانيةانموذجاً)

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Abstract

The research Consisted of four chapters, devoted the first chapter of it to the framework of public research, which included a presentation of the research problem and its importance and its goals and boundaries and definition of terminology, and research was disclosed technical features and terms of reference and content property of complex forms in the paintings of contemporary Iraqi Kurdistan. The limited research on the paintings, which includes forms, vehicle and executed by artists of the city of Sulaimaniya in the Kurdistan region of Iraq, during the time period (1980-2008), to the large number of artistic and maturity technically within this period, the second chapter of it to the theoretical framework, which included (5) Investigation of the : - the entrance to the complex form - the root of the historical forms of the vehicle and their references in the ancient arts of intellectual - shapes the vehicle and its reference property in the Middle Ages fee. - forms of modern painting in the vehicle - vehicle shapes in Kurdish Fine Arts. While the third chapter is devoted to action research, has been followed the descriptive analytical approach to search for suitability with the property in question and his goals. Included a sample search on (20) panel has been selected intentionally from between the plates the research community according to specific criteria, were analyzed those paintings and descriptive under the tool for analysis included (7) units of analysis were derived from indicators conceptual framework as well as expert opinions and relevant sources and researcher personal experience and extract the tool surface and the sincerity of the units are: 1 - the type of configuration used in the painting - optical scanning the painting - shapes the vehicle used in the painting - the relations between the elements and forms of painting -the artistic source and intellectual content of the compound forms in the painting - Technology Show used in the painting - the technique used in painting. While the fourth chapter is devoted to research and present the results of the most prominent of which: 1 - installed different vehicle shapes (human + animal) or (human + plant) and in other paintings, depending on the artist and experience the richness and fertility of its memory image imagination. 2 - Dominated by the shapes of human compound with other elements, forms a system installed in the paintings. 3 - a historical reference and the natural environment and the Kurdish folklore and political events, religious beliefs, the basic references and the intellectual content of the forms in the structure of composite panels, 4- the vehicle shapes- that used in the paintings, owned recipe originality and local Kurdish identity in a property installed. And ended this chapter a set of conclusions and recommendations and proposals.

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Article
The easthetics of the directing style in Theatrical show Awny Karomi- Inpatterns-
جماليات الاسلوب الاخراجي في العرض المسرحي عوني كرومي-أنموذجا-

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Monitors the aesthetic thought developments Altaakhih to determine the characteristics of the process of building architectural and structural in styles directorial, which varied by the contradictions experienced by athe technical and artistic display of theater and a construction philosophy for display skill aesthetic unity of content and form, public and private sectors and represents the ideas aesthetic monitoring cognitive changes that pose, in the diversity of styles directorial and changes associated with the formation of concepts and deepen ties, relationships and perceptions, the cemented the style of a particular historical period and then searching for premises that the theory of aesthetic new style of another, according to the development in the fields of knowledge in order to reach new results in thought at the theoretical and practical. The research has included: the problem and the goals and the border with the search terms and then determine the theoretical two sections: the first included in the mobility of artistic style and the second section included in the mobility of wonderful artistic style. Then action research methodology, and included a sample of the research, the researcher and to the results after the analysis of the sample and finally a list of sources and a summary in English

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Article
The Aesthetics of Diction in The Iraqi theatrical Performance : Sami Abdel-Hameed in ( Al-Mutanabbi ) As a Model
جماليات الالقاء في العرض المسرحي العراقي سامي عبد الحميد في ( المتنبي ) أُنموذجا

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The diction performing art system has not been devoted the same level of attention as visual systems in theatrical performances, despite its importance, so the researcher has found that there is a need to look into theatrical aesthetics of the diction. The research is based on the performance of the artist " Sami Abdel-Hameed " in the "Al-Mutanabbí" play as its model, thus, it is titled (Aesthetics of the diction in Iraqi theater - Sami Abdel-Hameed in "Al-Mutanabbí" as a model). The researcher has selected the "Identification of aesthetics of the diction in Iraqi theater" as its objective. The study has been divided into four chapters; the first is an introduction to the research and its properties, while the second formed the theoretical framework of the study. The first chapter was concluded with the most prominent indicators revealed by the theoretical framework. The second chapter is devoted to research procedures via the adoption of the descriptive method of analysis, through (case study, and the methodology of semiotic analysis) in the analysis of intentionality. The researcher has studied the "Al-Mutanabbí" play performance through its seven sketches as they involved the aggregate entity of the artistic work. He concluded by discussing the most prominent findings through analyzing the sample, considering it as a conduit for identifying those findings based on consideration that model diction in Iraqi theatrical performances has achieved its aesthetics in terms of that the structural formations of the diction delivered situation indications through; 1- its integration with proven techniques, and 2- with parallel performing techniques of other components of the performance; and those structures were formed according to the pattern of their performance indications through integrating their subjective and objective levels of semantic and structural units. In conclusion, the researcher suggested his recommendations and suggestions for the need to follow up the subject in subsequent complementary studies.

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Article
Algerian Theatre Picks up the past Movement and stays opening
المسرح الجزائري يلتقط حركة الماضي ويبقى منفتحاً

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Theatre approached Algerian revolution early and became more clear since Algerian got freedom 1962 on three levels: Looking level , compassion level , and theatre language level. The first level connects with the special gift which his unique as a writer with his picture or approach to revolution world the theatre. The second level connects with his special gift too to give anew form and look which get resource from revolution soul . The third level joins with his special energy to build a public language which is belong all people . And bases a compassion regime which opens to a great history event , the revolution event . So most of the researches, shows , and Arabic theatre experiment , which is approached to Algerian theatre subject , and still emphases it According to this ,the research contains the fellow parts :- Preface: Algerian theater with Arabic Algerian theatre. Part one: The beginning and continous , the first beginning of Algerian theatre, and how to continue . Part two : Trace of Algerian theatre to Arab theatre , which gets a look to the texts and shows which are effected by Algerian theatre . Part three : picking up revalution movement and opening . The researcher approaches to theatres texts and shows , playwriters and directors which have good effects in Arab theatre . Part four: contains resultes , and references lists .

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Article
How to deal theater director With Text data directorial
كيفية تعامُل المُخرج المَســــرحي مع مُعطيات النَص الإخراجية

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Article
Aesthetical Value of Painted Glass Panels and Employment in Interior Design
القيــمة الجمالية للألواح الزجاجية المرسومة وتوظيفها في التصميم الداخلي

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The technological development alongside techniques of interior design seeks to achieve an integrated scheme through design concepts, a scheme that is considered as a base of aesthetical and functional evaluation of a design product. The drawing on glass is one of the renewed design concepts which have sought to enrich the interior design, most of interior designs have glass or mirror component, so why don’t they be paintings within interior scheme; an attractive glassy paintings add aesthetical and romantic values to the interior space when using them within the overall scheme of interior design as an element; the usage of painted glass is determined by design principles. The painted glass might be a major cause that changes entire form of a space through either boosting size of a space or making spatial illusions since the glass is transparent or semitransparent. The goal of this research is to know how much the painted glass is compatible functionally with interior space. In order to achieve this goal and investigate the problem, the research has structured an information base through sections; first section demonstrated the background of main research vocabularies, research problem, the goal, significance of the research and the research limits. In the second section, the research explains first steps in solving the research problem, this section were categorized into five axes. First axis demonstrates a historical brief of painted glass in architecture and interior design. Second axis browsed the emergence and evolution of painted glass. The third axis shows the techniques of painting on glass. The fourth axis discussed the concept of aesthetic values of interior space. Finally the fifth axis discussed the influence of glass panel’s shape over interior space. The third section dealt with methodology and case study. The case study would be three intentional examples. Eventually, the fourth section will be presenting conclusions and recommendations of the research. Below are the most significant results of the research: 1. The possibility to create a design work and make a an aesthetical reality for interior designer doesn’t come only by dealing with sensory and material data that embody the scene through total structure of interior architecture, and by studying interior environment before formulating the concept regardless the designer being part of this environment or not, in order to add an atmosphere of cohesion between interior design and artistic work in a way shows the actual connection in between. 2. The expressional factors and aesthetical values of form share in achieving symbolic values whether for interior spaces or for the formal vocabulary of space, where the semantics in modern colored glass graphics derived its formal structure from the overall design of space, which enhances the interdependence of meaning scheme of space so that it leads to an interaction of these factors with design vocabulary enhancing the prompting concept of communication between the user and interior design of space

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Article
The Problem of Employing The Image of Woman in The Advertising Publication
إشكالية توظيف صورة المرأة في المطبوع الإعلاني

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The image of woman took an important and distinctive place in the Arab thought and deviation towards this Arab original heritage in employing the image of woman in the advertising publication gives the same Arab importance in revealing the treasures that are hidden in the Arab heritage making her distinguished than others without having an outer influence. The study aims at showing the ranges of using the image of woman in the advertising publication; the spatiotemporal limits of the study are restricted to local commercial posters of Pale Post Company, Zain Company for Communication and The Iraqi Mediator Magazine for the Local Commercial Advertisement for the period of time 2009-2010 in Nineveh-Iraq. The first chapter of the study dealt with definitions and terms concerning the study. The second included the theoretical frame which consisted of three sections; the first was an introduction to the industry of image, the expressive dimension of image, the specificity of using the image of woman in the Arab society, its functional dimension and the designing beauty in the woman's image. The second chapter dealt with the image and its relation with the correcting constituents. The third section dealt with the correcting basis of using woman's image in the advertising publication. The third chapter was a demonstration for the procedure of the study. As for the fourth chapter; it dealt with what have been achieved of the research procedures, then achieving the aims of the study through the analyzing the samples. The results showed on over exaggerating in the Arab and foreign writing constituents lead to wasting of the advertising space, weakness in its activity in evoking attractively and beauty enjoinment, and the beauty of the design of the image depends on the structure of each subject separately. And this structure is not founded on the beauty of form or even its content like any other artistic work generally; because the benefit of value performance is one of the constituents of the designing environment.

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Article
Organizations in the formal designs pendants, carpets Iraqi
التنظيمات الشكلية في تصاميم المعلقات والسجاد العراقي

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The search depends on showing formal preparation in the Essen ional union for designing carpet and the Iraqi hangings with suggestions of new designs for both to appear the modern soul in recent results to match the century and its development. And the designs will be done to employ the computers threw the (Corel Draw) program to make the required strict in distributing formal elements and balance form upon. Accordingly the search will include the problem and it's importance and the aims in the first chapter involved the frame-work and the analyze in the third chapter, in addition it included the research's results and the suggestions for designs that was made from the past and now a days.

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Article
The Psychological dimensions in poster design of child
الأبعاد النفسية في تصميم ملصق الطفل

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The child's innocence and calmness is regarded a nucleus in the formation of the family, it is a point of polarization in the family in particular and community in general . Graphic designers mainly interested in children and in preparation of designs to meet their human needs with the and bringing up an artistic taste, aesthetic and knowledge for them, as is the function-oriented graphic design for a child, especially a very difficult task in the formation of Design and structural elements (colour, shape, size, touching , etc.) as well as the great importance of these structural elements in determining Psychological dimensions affecting the child and what is achieved from response, perception and interaction. The great interest for the graphic designer with embody the psychological dimensions and its effective presence in monitor the behavior of children and acceptance for the design of the poster and aesthetic composition and goal-oriented clearly helps to discover the innermost and energies of the Child, which is evident in his behavior and his performance or attract his attention to the components of the poster and the resulting prediction will be then a clear result latent in his personal or subjective skills as drawing, for example , the child tries to imitate the beloved characters to him, especially those offered by the media directed to the child and the selection of posters and tends to carry those figures dear to him . The recent research includes three chapters . The first chapter included presentation of the research problem identified in the questions putting forward as follows : Does the psychological dimensions influence in child's poster of the in achieving the desired goal , particularly to achieve awareness and stimulating for children? And how they contribute to the psychological dimensions in the promotion and proliferation, particularly in children's posters? And haw do Philosophical dimensions participate in promoting particularly in children's posters . Is there artistic , knowledge and intellectual among th elements of the poster and relationships arising between them and their impact on the child's psychological dimensions (psychological)? It also offered to the importance of research in addition to determine the target of the research that determine in detection of the artistic aspects of the children's posters and achieve the dimensions of mental (psychological) influence directly on the receiver (the child) and then develop his awareness and young fertile mind and attracting Attention of the components of design .The research is also determine with time limits , which are children's posters issued in 2012, either the border Spatial was selected posters selected from United States, especially those posters affecting the child, but is the most contemporary and fame . At the end of the first chapter were identified several definitions of the term (dimensional psychological) as a main term in this search .The second chapter of this study included theoretical frame and previous studies . The first section is determined to study the child's Psychology and awareness to animation arts . The second section has included studying graphic design to the child (form and content) after that presentation of the previous studies that preceded this study .The third chapter included the procedures of the research , The research community is identified , determined and choose the samples of research , the approach of analysis the samples of the research , particularly through the preparation of a form of analysis that contains the most of the literature of theoretical framework after its presentation to a number of specialists to examine them and make sure of their integrity in the process of artistic analysis , and after analysis three intentionally selected posters selected, the research has concluded to a number of conclusions from them : 1-The designer used directl and clear idea addressed to the children to raise their sense of joy and happiness 2 - the designer was able to employ tebographical elements reasonably in determining the psychological dimensions, particularly those that affect the behavior and the perception of the child in response to a poster 3-need to emphasize the role of the intellectual content and humanity and principles in developing the skills of children and attract their eyes toward the label given to afford its components technical goals of a humanitarian, friendly and loving as well as learning and developing the skills of the child Cognitive . 4 -The animation represents with its colours and forms known to the child's energy expression raises sensations child and awareness Psychologically , aesthetically and functionally of the components of the poster as Influential Psychological dimensions . 5 - animation has a major role in motivating children and stir their emotions and achieve important psychological dimensions that must be learned by the child. Then listed the most important sources and references used by the researcher in this study .

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Article
Intellectual features of modern designs in fabrics
الملامح الفكرية للحداثة في تصاميم الأقمشة

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Adopted modern formulations applied comprehensive configurations design of fabrics and methods of new and accelerated as a result of the awareness of developments in intellectual, artistic and technical, which became the reorganization process and the formulation of the concepts of innovation as a necessity in the context of narratives of intellectual movements and artistic trends that accompanied the modern of transformation of the concepts requires learning the law the engine of language design in all characteristics and trends of its time. The first chapter discusses the research problem to answer the question following "how to handle the data property of modernity in the design of fabrics that are governed by the ranges and the wide range of concepts? The aim of the research" to identify mechanisms of modernity and the impact of features of intellectual designs in fabrics, and adopted the limits of research propositions property created by modernity within the stages and the evolution of tactics in the design of fabrics. The second chapter containing A conceptual framework is contained.first: the impact of modernity in the intellectual content of the fabric designs. Second, modernity and technical transformation. Procedures and identified the research methodology and the research community and appointed by the analysis of fixed and units based on this chronology in the presentation of artistic trends of modernity and caused influential in the intellectual and practical implications for the design of fabrics. The research found the most important The results , as follows 1. Reflection of the idea of reality through the application of the technical vocabulary of form to see the new combined the mechanism of thinking and employment forms and substance of show. 2. Formulations applied design, interacting with the awareness of mental and cultural constants did not exceed the approved design fabrics. The most important conclusions: 1. The presence of systematic intellectual and scientific conscious investigator working as arguments driving the design 2. Modernist thinking is based on the identification of knowledge and cultural integration as part of community relations with the configuration of a regular design. 3. Contents reflect the intellectual and social reality as the value of renewable deliberative designs in fabrics. 4. I mean to evoke notions of consciousness in time, is a reflection of its contemporary environment.

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Table of content: volume: issue: