Table of content

al-academy

مجلة الاكاديمي

ISSN: 25232029 18195229
Publisher: Baghdad University
Faculty: Fine Arts
Language: Arabic

This journal is Open Access

About

jornal of the college of fine Arts University of baghdad

web site : jcofarts.uobaghdad.edu.iq

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email : al.academy@cofarts.uobaghdad.edu.iq
phone number: 009647703467114
web site : jcofarts.uobaghdad.edu.iq

Table of content: 2015 volume: issue:73

Article
Color At the artist Fayek Hassan
اللون عند الفنان فائق حسن

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Abstract

The shift that caused the fading art schools and the brightness of the other, which dictate the work of art based surface and defect lasting regeneration led the researcher to stop at the color of his study, as an element of fixed and mobile at the same time, hard as a lieutenant of the painting plastic and brick construction that supports a painting, The variable that follows the doctrine of the artist and the philosophy of the community, because of the extrapolation of his biography, especially in modern art and beyond is clear that compose a variety of ways and so as to ensure continuity vital to the process of drawing, color in all modes is responsible for editing shapes on the surface imaging is, without a line, shape and dimensions of imaginary and real enjoy the entity physical coherent Mtat of disclosure form outer material for its content very clearly to the point that he became in modern art the key element that is ahead of configuration items Plastic other, has proven that he cannot be considered part of a secondary meaning can marginalize him, the mere contemplation simple works of art and even of things natural around us confirms that he fixed part cannot be separated or canceled, it is the cover of phenomena and shapes, and may be the technical infrastructure able to manipulate it and run it, but it does not have a way to put out the equation of aesthetic construction of any structure of art. Was the color for the foundation of painting and cover the surface, and confirms this is a way of dealing with color in various schools and directions of the ages of art, including shares in the detection of Prominent aspects of the aesthetic of color and highlight and emphasize it, until I knew the colors a particular school features aesthetic especially different than in another school The experience of the artist super good associated with the reality and inspired by the cultural heritage in Iraq and ending in living folklore, contemporary and included history of symbolic and that otherwise the fact progress, track experience of color or experience collecting light, it is the first Iraqi artist Velsv color and produced his experiences substantive (values of color) to make it mainly in his paintings. , but the paintings leading on the nature of colors, interdependence and harmony, if perfected the artist's game distribution blocks color perfected the movement in the painting because the color depth and extension, and ripples, and these are all Tgueth gas creativity drawing. Vasloppe loads of privacy, which makes it unique, and away from the similarity of the methods prevailing, albeit within the framework of the modern Iraqi painting in particular.Based on the above Tertsm researcher has specific questions represented a problematic research, namely: What is the pattern or color that the nature of relations Ancoha super good in the filming of the environment. What is similar, is different between the kinds of relations in terms of color

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Article
Artistic features of women form in (Auguste-Dominique Ingres) works
السمات الفنية لشكل المرأة في أعمال الفنان اوغست دومينيك انغر

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Abstract

Between decline and appearing dichotomy, art history comes to announce birth of an era that glories past and find new names that are emerged from yearning to past and represented by neo-classical, By refusing the previous approaches and create topics that touché culture and derived from it through s revitalizing ideal beauty standards. One of neo-classical artists, who tried to simulate the classical works, is (Jean-Auguste-Dominique Ingres), who put framework for semantic aesthetic of the art form by revitalizing past glories and deeply searching myths and cultures through finding special artistic features that emphasizes artist own stylistics and identity. This research studies artistic features of women form in (Jean-Auguste-Dominique Ingres) works as he occupied a distinct space in global configuration, cannot be underestimated or neglected. He was marked by his interest to implement variant topics that are related to women. Hence, the study introduced women form in his works and then revealing some of their features, accordingly this paper consists of four chapters: The first comprises paper problem through rising the following questions: 1. Does the artist (Ingres) experience has artistic features distinct women form in his works? 2. What is the environment impact in guiding artist style and determining women form features? The second chapter includes theoretical framework and comprises three topics: high-class women, women form in topics with myth characteristic, and Eastern women. The third chapter comprises paper procedures, While The fourth chapter was devoted to show researcher results according to paper objectives

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Article
The presence of the body in the work of Lisa Fattah al-Turk
حضور الجسد في اعمال ليزا فتاح الترك

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Abstract

This takes research idea representations body in the works of artist Lisa Fattah al -Turk, and the qualities that represent them in the configuration and method of performance in order to achieve an important element in the development of the concepts of knowledge and cultural rights within the surface of the artwork including the body shape of his presence authority dominant in the history of art so it was for this audience motives Self , cultural , and part of the confirmation of the human side, and serves as a conveyor of ideas and diagnostic her. Search theme is determined to attend the address of the body in the works of artist Lisa Fattah al -Turk , a comparison in how the audience and what it will be , so Researcher seeks drilling in the artwork and self - dimensional detection , social and intellectual , which establishes a presence. 1. Search begins with the problem down to determine the questions that seeks Find answered, including: What formal and aesthetic features to the presence of the body in the works of artist Lisa Fattah al –Turk? 2. 2. What qualities which represent the body in the works of artist Lisa Fattah al –Turk ? The results were: that the body come to work for reporting on social isolation in the ocean, and represents dropped to individual cases to see the outside world. The identity of the body and face theater which represents the changes the psychological, physical and temporal representation of it. That the body stores inside the Kingdom of the subconscious, which includes a magical world full of symbols, applies to reality as soon as it loses awareness of his authority. The conclusions came: the body vessel incubator of ideas and ideologies and concepts it stores inside accumulation of knowledge of mankind, and represents the social dimension, there is no body without the knowledge of tribal knowledge dimensionality. Said garment hides the body but they reveal the image of the body social, and environmental spatial and temporal through symbols. the two- body thought (Appearance substance ) ( self- body ) ( meaning building) this bilateral verification and the visible presence of the body in the world ( the perceived physical presence ) to form a harmonious unit , a humanitarian entity

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Article
Dramatic signs of place in contemporary classical shows
العلامة الدرامية للمكان في العرض المسرحي المعاصر

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Article
Power of language and carriers meaning in communication discourse
سلطة اللغـــة وحاملات المعنى في الخطاب الاتصالي

Authors: Kadhim Moans كاظم مؤنس
Pages: 85-112
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Abstract

It reveals speech communication whether it is legible audible or visible on a comprehensive formula inhabited open language on the modalities for reporting cases of the source say, making communication cognitive processes, is not to produce arguments as it is about the generation of the content of communication, so the contact of any kind remains practice for the cognitive action by the language in which it operates as a way agreed to their units between the poles of communication circle in the framework of a certain socio-cultural context, and that becomes the basis of the text of the message external referrals, making it feasible for multiple readings in semantic dimensions and deliberative

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Article
Problems between acter and director in film and t.v
المشكلات القائمة بين المخرج والممثل في السينما والتلفزيون

Authors: salih alsaahan صالح الصحن
Pages: 113-138
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Abstract

Constitute the relationship between the director and actor mainstay chock done to show art in film and television , both of which occupy what a big role in the mission accomplishment . The leadership of the director of the artwork in various joints require two features two important ( creativity and administration ) , The capabilities director of creative serves as an added intellectual and aesthetic saturated sensation that leaves its impact on all the technical elements involved in done. Either trait administration and leadership it is what requires multiple skills in dealing on according to technical standards and moral and humanitarian allow the transfer of ideas , concepts and visions to those elements to embody and implement the kinetics of the film or series in the snapshot and the scene and building the picture as a whole , and this building is a role actor of great importance in the creation and innovation, and the embodiment of data scene representative including blowing Take the idea and merits of event that requires an atmosphere dominated concord and harmony , cooperation and exchange of views and perceptions The experiments professionalism showed the style of both the roles of director and actor , including the detection of impressions and perceptions about the fact that the work of the director and the actor , which nearly or just the distances between them , and that the privacy of the natural will of all of them, but the artwork in the film and television requires the ability to reach to what extent can the relationship between the director and the actor to work on the completion of the technical work is to achieve the integration of technical and overwhelming success away from the problems that differed two in some details , says Joseph Almond ( when you have a good actor knows what you want , and always looking for things within himself , and knows that you will not make it vulnerable to ridicule , Sawa in the imaging site or on the screen , you can then see unusual things occur ) , This Mikhvv the severity of the intersection between them and what creates the atmosphere predisposing to work the camera if it took filmmaker professional role Kabarlaanadan Representative and the follow-up to do with interest and encouragement , and that the merits of working in film and television produced a series of data which we can detect the nature of the relationship between the director and actor , and that the effect of creating problems existing between them , including: 1 - Convinced the director to choose representatives 2 - Dealing with representatives 3 - Previous experiences 4 - To depart from the text 5 - Interventions authority production 6 - The nature of the performance

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Article
Artistic and intellectual embodiment of the stream of consciousness approach in the film novelist
التجسيد الفني والفكري لمنهج تيار الوعي في الفلم الروائي

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Abstract

In the midst of the public narrative film , we discussed the issue of dealing with the current narrative more specialized which its future dimension form shift and twist on the level of construction narrative film in some of its diverse and renewable trends in its two ways theoretical and practical and non-give important implications for the modes of operation of the renewable narrative structures and the fact that the cinema is an arts which always open to ideas in neighboring fields and this come naturally as a result of the continuing intellectual and knowledge sharing between cinema and other science . our current research has already begun to address the issue in a stream of consciousness narrative structure film based on all that the most important ideas and theories that have been made about the concept (stream of consciousness) which emanating mainly from the field of analytical psychology , and it should be noted that the term has been used narrative sense and early in the field of literature novelist and by the novelist and theorist ( William James ) and finally settled in the film practically … thus the current study (artistic and intellectual approach to the construction of the stream of consciousness in the film novelist) dealt four chapters have been search through them in the midst of this issue, the form of the first chapter of systematic research framework and which have been addressing the problem of research and emphasis on the importance of this study and its narrative studies of modern art film … In addition to the goals set by the researcher, the research has moved in the range of its theoretical part about all that is written about the stream of consciousness as a holistic approach and the narrative has privacy and intellectually based in distinct narrative speeches … In its application part the research has been sets in a model applied one representing the film (the boy) for reason that will mentioned later. In the second chapter, which came under the title (the theoretical framework) , research charted his way through access to the most important ideas and theories that have been made about the concept of stream of consciousness and what constitutes the basis and reference can be invoked in the analysis and to enter in to the subject and read it as systematic process and practical which based on the clear concept of stream of consciousness .. This research included three topics, first titled (stream of consciousness term and concept ) in which the researcher cleared the emergence of the term and distinguish it from what is Described Alsaiklogi stories… The second section was titled ( technical approach to stream of consciousness ) and it has been dealt with engaging narrative logic of the approach according to the stream of consciousness .. The third section came under the title (the construction of time in the stream of consciousness) to be an integral link and former two sections , and it was to clarify the nature of the contrary and the task by which the time can be constructed according to the approach of stream of consciousness .. In the third chapter , which came under the title ( research procedures ) were introduced to the methodology of research and search tool and the limits of research and sample neshat and the reasons for selecting the sample .. In the fourth chapter included ( research and the results of the most important conclusions ) that have been drawn from the search after neshat sample analysis followed by a list of sources approved by the research , and summary in English

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Article
Integrated in the industrial design system
التكاملية في نظام تصميم المنجز الصناعي

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Abstract

Although the majority of trends confirm the design aspects of the performance, functional and aesthetic design of the product. However, the attention was more focused on the nature of the plastic for those results, it is through the appearance of formal and guaranteed career such as designing Achieved adopt us the extent of the impact Relations Association between the elements and principles of design to achieve complementarity in the completed design of aesthetic and functional significance expressive and symbolic and in doing so has introduced a lot of new concepts for the arrangement and organization, coordination and functional classification of the unfinished design gave way to show diversity trends in the design of industrial products, according to the value of functionality and aesthetic addition to the specifications of the raw material, organization and composition of the design, which featured creations design in done through the introduction of changes in the systems of formal and functional in the construction design of the accomplishment associated with the function of the design and the accompanying technical evolution of the material is a necessity in the maturing design idea. Through an initial exploratory study researcher of industrial products performed locally in the city of Baghdad, the researcher found that there is a problem standing in front of the concept of complementarity in terms of construction and relations between the Association and the meaning of integration based on the basis of the dimensions of the aesthetic and functional design is finished

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Article
The Factors influencing to the cognition operation & its Data
العوامل المؤثرة في عملية الادراك ومعطياتها

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Abstract

The present research deals with the influencing factors which depends on the way perceptual of the graphic designer which enters in the design logos of the loco European health, where the search include four chapters, the researcher reviewed in the chapter 0ne the methodical frame of the research ,as reviewed in the second chapter the theoretical frame, and the previous studies which included three sections, the first section included the perceptual understandable and types of it, and the second section included the influencing factors in the designer perceptual ways and its division . While the third section included the perceptual in graphic designer through the percepted shapes and the relation with ground and colors for express the idea and the content of the art work and determine the formal organization which control in the perceptual field for the designer to embody, the designer idea and emerged from the theoretical from the indicators as scientific material which helped the researcher in her steps and her method for the research to analyzed five samples researchable content in chapter three which called steps chapter while the four chapter which the researcher arrived to it included the showing for the results recommendations and suggestions

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Article
When Krochh aesthetic implications and their impact in raising the artistic and aesthetic taste among the students of the Department of Art Education
المضامين الجمالية عند كروتشه وانعكاساتها في رفع الذائقة الفنية والجمالية لدى طلبة قسم التربية الفنية

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The goal of current research to: 1 - Know when aesthetic implications (Korchh) 2 - To form the structure of systemic indicators and results that reflect the visions of intellectual, philosophical and aesthetic art for this study. The theoretical framework for the study of the search for the meaning of beauty, definition ( Krochh) being a philosopher, his views, his own aesthetic philosophy, knowledge, art and beauty, as well as a subject of artistic and aesthetic taste and Study in Art Education. The goals have been achieved during the search of Investigation theoretical framework for the search, which tried (INT) to form a clear vision check the second goal by the indicators reached. In light of this, the researcher recommended the need for art education and aesthetic elevate students of art education in particular to reflect on the rest of the members of the community, as well as you know Tdhugahm colors and aesthetic thinkers, philosophers and specialists

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Article
Aesthetic values of the decorations heterogeneities in Islamic architecture
القيم الجمالية لخاصية التغاير في تكوينات زخارف العمارة الإسلامية

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Covariance technique represents a design to bring out the decorative components And organized in unfamiliar a manner Turn to custom patterned to make a qualitative difference in the pattern of the general composition of the implicit overall, question research problem emerges Based on the above, (Is the aesthetic values of the property heterogeneities in Islamic architecture configurations decorations?). Detect it through the knowledge of the species and decorative components containing heterogeneities And his methods within each of Iraq and Iran and theoretical framework try to monitor the opinions and threads aesthetic perception in the Islamic and Construction decorative art formations in Islamic architecture and features of heterogeneities in Islamic decorative art, and The measures included the research community involved (51) and We selected (4) Samples, Been analyzed in the light of the form presented to the experts to demonstrate its sincerity and persistence. the most important result of The search is Aesthetic values of the property variation across overlapping themes and decorative realism within a holistic unit within the General Layout and Impact on the functional aspect and decorative in Islamic architecture Which is reflected in a superficial manner (self-beauty) components derived from nature or modified them , In conscious way (objective beauty) Denote the components of the congruent with the Islamic faith And their ability to show aesthetic yield , while The types and decorative components are included covariance structure to achieve the goals of aesthetic represented by (plant ornament) and Built- with derivative frilly animal nature , And (linear ornament) By integrating twigs plant With linear motifs in a single structure, the And (geometric ornament) That rely two different forms to make a composition built through interdependence with plant motifs ,This was done by changing the most important methods for modification and conversion and condensation and phenotypic integration and substitution

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Article
the diversity of the extraction methods of calligraphic straps at Baghdad's mosques
تنوع أساليب أخراج الأشرطة الخطية في مساجد بغداد

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Abstract

The art of calligraphy is regarded as one of the tremendous and distinct products in the history of Islamic arts through the unparalleled high ranks it reached to, until it gained Islam's indication and became a symbol for it, in terms of its function linked to the calligraphy of the holy Qur'anic texts, where this merit formed a strong impulse in seeking its development, the emergence of the calligraphic constructs, including the calligraphic straps, is one of this continual seeking products, and an advanced stage at the level of technical and expressive development, and also one of the natural results generated by the development of fonts and the increase of their employing methods through what they recorded at the level of formal characteristics and their structural levels systems. Yet, the absence of the critical analytical aspect of these works resulted in the weakness of their aesthetic visions, since these products were not confined on only mere calligraphic accommodations, but they reflected the establishment of calligraphic and decorative varieties in terms of various revealing techniques; therefore, these products were not empty of artistic and designing problematic especially which became unfitted with the superiority of this sublime art. Because this topic was not studied in a way that transforms its problematic and explains its dimensions, and employment concepts, which all were focused within the topic (the diversity of the extraction methods of calligraphic straps at Baghdad's mosques)

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