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Male reeds in the lamentations
ذكر القصب في المراثي


The lamentations of the art of lyric poetry, in which the poet expresses his sadness and disappointment to the loss of a person or something dear, and has the privilege of the heritage of the people of Mesopotamia with great interest and diversity and a high position because of its interrelations with the lives and rituals of people, Religious texts of the civilization of Mesopotamia, which is considered an important part of the religious heritage and with the importance represented by the texts of lamentations, these texts were not without hints of cane or its expressions. The reeds were mentioned in many texts of lamentations, which varied between the lamentations of the gods and the legacies of the cities and legacies of kings and people

تعد المراثي من فنون الشعر الغنائي, وفيه يعبر الشاعر عن حزنه وتفجعه لفقد شخص او شيء عزيز, وقد حظية المراثي عند سكان بلاد الرافدين باهتمام كبير, وتنوع شديد, ومكانة مرموقة لما لها من ترابط مع حياة الناس وشعائرهم, وهي تحتفظ بمسحة قدسية من خلال العقائد الدينية لحضارة بلاد الرافدين التي عدته جزءاً مهماً من المورث الديني ومع الاهمية التي تمثلها نصوص الرثاء فان تلك النصوص لم تخل من تلميحات للقصب او تعابيره فقد ورد ذكر القصب في العديد من نصوص الرثاء والتي تنوعت ما بين مراثي الالهة ومراثي المدن ومراثي الملوك والاشخاص.


cane --- mirth --- July --- king --- ur --- marsh --- city --- absence --- cry. --- قصب --- مرثية --- تموز --- الملك --- اور --- الاهوار --- مدينة --- غياب --- ابكي.

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