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مسرح جورجيو ستريهلير وتأثيراته في العرض المسرحي العراقي

Author: م. د. احمد محسن كامل الشريفي
Journal: Journal of Nabo مجلة نابو ISSN: 24114650 Year: 2019 Volume: 23 Issue: 26 Pages: 37-71
Publisher: Babylon University جامعة بابل

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Abstract

The Iraqi theater has witnessed in recent periods the openness to many Western theater experiences, especially the experience of Iraqi directors of contemporary and modern European theater experiences. Arab orientalism in general and the Iraqi in particular has played an active and important role in developing the theater system in terms of text and presentation. Theatrical scene, and the experiences of the Italian theater system knowledge in terms of practical and scientific result of the absolute work to search for the grassroots that support the plays of rhyme and aesthetic and then make theatrical art open to all Malat and developments on the level of technical and physical performance, including the experiences of the Italian director Giorgio Streheler, which influenced and influenced by the experimental old and modern attempts to link some of the methods in the production of theatrical one reflects the nature of interrelations in the play scene, and here tries the researcher and through this research entitled (Theater Giorgio Streheler And its effects in the Iraqi theater play) to reveal the nature of this effect and whether the Iraqi director benefited from these experiments, and this research included four chapters as follows:The first chapter deals with the methodological framework of the research. The problem of research was about the following question:What are the technical treatments that characterized the performances of Giorgio Streheler theatrical, and what is the impact in the Iraqi drama aesthetic and artistic?The importance of research and the need for it are: Where the importance of this research is reflected in the fact that it deals with a special task in the theater of Iraq, modern and modern, in terms of benefiting from Western experiences, including Italian in terms of technical recruitment to qualify their theater performances from the scientific and practical, The research objective was as follows: The technical treatments in the performances of Giorgio Streheler, and their application in the Iraqi theater aesthetic and artistic.The limits of the tripartite research were limited by the following limits:Time: - 1997 – 2013Spatially: - IraqObjectively: Studying the theater of Giorgio Streheler and its effects on the Iraqi theater The second chapter included the theoretical framework, which included two studies and was as follows: The first topic :-. The intellectual and artistic references of Giorgio StrehelerThe second subject: The characteristics of the play picture at Giorgio Streheler The second chapter of the previous studies and the theoretical findings reached by the researcherThe third chapter included the research procedures, namely, the research community, the research sample, the research methodology, and the sample analysis, and one of the plays was selected for analysis in order to reveal the goal of the research The fourth chapter contains the results of the research as well as the conclusions, as well as the chapter contains a set of recommendations and proposals and proven sources

شهد المسرح العراقي في الفترات الاخيرة الانفتاح على الكثير من التجارب المسرحية الغربية ولاسيما معايشة المخرجين العراقيين لتجارب المسرح الاوربي المعاصر والحديث, فالاستشراق العربي عامة والعراقي خاصة كان له الدور الفعال والمهم في تطوير منظومة العمل المسرحي من ناحية النص والعرض وهذا ما انعكس بصورة مباشرة على خصوصية وبناء الصورة المسرحية , وكانت تجارب المسرح الايطالي منظومة معرفية من الناحية العملية والعلمية نتيجة العمل المطلق للبحث عن القاعدة الجماهيرية التي تؤيد الطروحات المسرحية القافية والجمالية ومن ثم جعل الفن المسرحي منفتح على كافة الاحتمالات والتطورات على صعيد الاداء التقني والجسدي ومنها تجارب المخرج الايطالي جورجيو ستريهلير الذي اثر وتأثر بالتجارب الاخراجية القديمة والحديثة محاولا الربط بين بعض الاساليب في نتاج مسرحي واحد يعبر عن طبيعة العلاقات المتداخلة في الصورة المسرحية , وهنا يحاول الباحث ومن خلال هذا البحث المعنون ( مسرح جورجيو ستريهلير وتأثيراته في العرض المسرحي العراقي ) إلى الكشف عن ماهية هذا التأثير وهل استفاد المخرج العراقي من هذه التجارب ، وقد ضم هذا البحث أربعة فصول على النحو الاتي:- اختص الفصل الأول بالإطار المنهجي للبحث فكانت مشكلة البحث حول الاستفهام الاتي :- ماهي المعالجات التقنية التي ميزت عروض جورجيو ستريهلير المسرحية , وماهو تأثيرها في العرض المسرحي العراقي جمالياً وفنياً ؟

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